Catalogue > By Keyword > theatre
685 results | Page 53 of 69
Live Culture Lecture series: Performing Body
For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Sacred Symposium: A Make Believe World
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
Pullman, WA
Three ordinary, awkward people address audience members directly in a witty, frequently disastrous attempt to show them how to live a better life. Provocative writer/director revisits one of her company’s most outrageously funny works
The Routledge Reader in Gender and Performance
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
Escens de L’imaginari
25th anniversary of the Puppet Festival, mainly in Catalan
The Skin of the Theatre: An Interview with Julia Bardsley
Unsettling Representation: Monuments, Theatre, and Relational Space
Explores the ways in which theatrical techniques might intervene in the representational operations of monuments.
Who is Fergus Kilpatrick / As You Are Now So Once Were We
Two Dublin Fringe shows by the Irish theatre company.
Theatre and Nation
Part of Palgrave Mcmillan’s ‘small books on theatre and everything else’ series.
Performance Artist: This is my work 2003-2010
See D1492 for DVD compilation of Jess Dobkin’s work.