Catalogue > By Keyword > theatre
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New Media Dramaturgy: Performance, Media and New-Materialism
Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
Queer Beograd Border Fuckers Cabaret: The Scripts, 2004–2011
This front line queer theatre tells first hand stories of how it is to be LGBT/Queer in Serbia and reveals the underlying issues of war, closed borders, neofascism and a country in the process of change.
In English and Serbian.
Part of Library of Performing Rights (P3041).
Puppets, Masks, and Performing Objects
This volume, which originally appeared as a special issue of The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives.
Acts of Passion: Sexuality, Gender, and Performance
Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
The Theater of the Bauhaus
Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.
The theater and its double
A collection of manifestos originally published in 1938, in which the artist and philosopher attacks conventional assumptions about the drama.
Mike Pearson collection
Includes: Theatre / Archaeology, The script’s not the thing, Welsh Heterotopias, and an interview with Geraldine Cousin
14-18 NOW: Contemporary arts commissions for the First World War Centenary
A detailed look at the extensive 14-18 NOW programme, which was set up to bring a creative response to the centenary of the First World War.
Six
WUK publication introducing programme shown between March and June 2019. In German and English.
Brief Synopsis
Pulls together rich elements of music, physical space, visual arts, text and movement; contemplates violence, without relying on sensational anecdote.