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Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)

Artist/Author: Guillermo Gómez-Peña | Editor: Emma Tramposch, Balitrónica Gómez, Elaine A. Peña, William Stark | Reference: P4170 | ISBN: 9780367219253 | Type: Publication

Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.

The essence of performance art

Artist/Author: Gisela Hochuli | Reference: D2322 | Type: DVD

A discussion in 17 thematic segments. 53 minutes.

Black Market International

Reference: D2321 | Type: DVD

Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.

The Undercommons: Fugitive planning & black study

Artist/Author: Stefano Harney, Fred Moten | Reference: P4112 | ISBN: 978-1570272677 | Type: Publication

Draws on the theory and practice of the black radical tradition to support, inspire and extend contemporary social and political thought and aesthetic critique.

Countersexual Manifesto

Artist/Author: Paul B. Preciado | Reference: P4090 | ISBN: 978-0231175623 | Type: Publication

Seeking to overthrow all constraints on what can be done with and to the body, Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire.

Trap Door: Trans Cultural Production and the Politics of Visibility

Editor: Reina Gossett, Eric A. Stanley, Johanna Burton | Reference: P4076 | ISBN: 9-780262-036603 | Type: Publication

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

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