Skip to main content

Catalogue > By Keyword > theory

321 results | Page 10 of 33

Visual Cultures as Seriousness

Artist/Author: Gavin Butt and Irit Rogoff | Editor: Jorella Andrews | Reference: P3253 | ISBN: 978-3-943365-39-9 | Type: Publication

What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?

Relational Aesthetics

Artist/Author: Nicolas Bourriaud | Reference: P3262 | ISBN: 978-2840660606 | Type: Publication

Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.

Awkwardness

Artist/Author: Adam Kotsko | Reference: P3251 | ISBN: 978-1-84694-391-1 | Type: Publication

Argues that the awkwardness of our age is a key to understanding human experience.

Towards an embodied poetics of failure

Artist/Author: Christel Stalpaert | Editor: Ric Allsopp and Kristen Kreider | Reference: A0723 | Type: Article

Exploration of violence and trauma in needcompany’s Marketplace 76.

Enmeshed bodies, impossible touch: the object-oriented world of Pina Bausch’s Café Müller

Artist/Author: João Florêncio | Editor: Richard Allen and Shaun May | Reference: A0726 | Type: Article

The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.

Towards a Poiesis of Critical Practice: 1000th LIVE and the politics of appearance

Artist/Author: Diana Damian Martin | Editor: Ric Allsopp and Kristen Kreider | Reference: A0724 | Type: Article

On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.

Creating by Annotating: The director’s notebooks of Jan Fabre and Jan Lauwers

Artist/Author: Timmy De Laet, Edith Cassiers & Luk Van Den Dries | Reference: A0717 | Type: Article

Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.

The Regenerative Ruination of Romeo Castellucci

Artist/Author: Timmy De Laet and Edith Cassiers | Reference: A0722 | Type: Article

This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.

Staging an Exilic Autobiography: On the pleasures and frustrations of repetitions and returns

Artist/Author: Natasha Davis and Yana Meerzon | Reference: A0718 | Type: Article

Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.

Donation

£