Catalogue > By Keyword > theory
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The Cultural Resistance Reader
Brings together classic texts that help to define culture as a tool of resistance.
The Sensible Staging
A collection of newly commissioned texts that explore the moving image in relation to performance.
Beautiful Trouble
Part manifesto and part reference guide: brings together ten grassroots groups and dozens of artists and activists from around the world.
Like a Girl’s Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmour and Ann Liv Young
Article by Anna Watkins Fisher featuring: Amber Hawk, Kate Gilmore, Ann Liv Young. This article can be found in the Miscellaneous Articles 3 binder
Access all Areas : Live Art and Disability
A collection of artists’ writings, performance documentation and films reflecting the ways in which artists, who work with Live Art, are engaging with issues of disability.
Study Room Guide: Take the Money and Run? Some Positions on Ethics, Business Sponsorship and Making
There are lots of guides for artists on how to earn a living from art or how to raise funds to support making it, but few which help us ask what the ethical implications are of the routes we choose. In this Study Room Guide, arts, social justice and environmental group Platform has selected some key texts that they think are useful in helping to position yourself ethically with regard to financing or supporting artistic practice through business or corporate sponsorship.
Conversations Across Borders
A performance artist converses theorists, curators, activists and fellow artists.
Exercises for Rebel Artists
A series of crucial practical exercises to help create challenging theatre which transcends the boundaries of nation, gender, and racial identity.
Theatre of the Oppressed
*currently unavailable*
First published in 1979, then in 2000, and this new edition published in 2008. Translated from Spanish by Charles A. & Maria-Odilia Leal McBride, and Emily Fryer.
Space in Performance: Making Meaning in the Theatre
Examines the way theatre buildings function to frame the performance event, the organisation of audience and practitioner spaces within the building, the nature of the stage and the modes of representation it facilitates, and the relationship between the real space of the theatre and the fictional places that are evoked.
