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Boris Charmatz

Editor: Ana Janevski | Reference: P3425 | ISBN: 978-1633450066 | Type: Publication

Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action. 

Empty Stages, Crowded Flats: Performativity as Curatorial Strategy

Editor: Florian Malzacher and Joanna Warsza | Reference: P3272 | ISBN: 978-3-89581-443-3 | Type: Publication

Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.

I WON’T DO WHAT YOU TELL ME

Editor: Amelia Beavis-Harrison | Reference: P3264 | ISBN: 978-82-690675-0-7 | Type: Publication

Part project part catalogue: split into three distinct sections the book brings together artists and academics to explore the impact of gentrification and the possibility of resistance.

Utopia: Three Plays for a Postdramatic Theatre

Artist/Author: Claire Macdonald | Reference: P3203 | ISBN: 978-1783204625 | Type: Publication

A cofounder of the United Kingdom’s legendary 1980s performance theatre company Impact Theatre Co-op, MacDonald composed Utopia, a sequence of commissioned play texts, between 1987 and 2008. This edition brings together both the plays and the story of how the plays came to be made and written.

How to Frame - On the Threshold of Performing and Visual Arts

Editor: Barbara Gronau and Matthias von Hartz | Reference: P3162 | ISBN: Sternberg Press | Type: Publication

From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

The Live Art Almanac Volume 4

Editor: Harriet Curtis, Lois Keidan and Aaron Wright | Reference: P3082 | ISBN: 978-1-78319-322-6 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.

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