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Responding to Site: The Performance Work of Marilyn Arsem
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
From Moment to Moment
Documentation from the exhibition at the Cambridge Darkroom, 1990.
Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Dream Audience
Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.
365 Performances
Unique documentation of a year long performance project by one of America's most interesting performance artists; McMurry set out to do a performance action every day for a year, attempting to confuse art and life.
41 minutes.
Dennis Oppenheim: Body Performance 1969 -73
The monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969–1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation.
Anna Birch archive
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Interview with Kevin Atherton 2005 REWIND| Artists’ Video in the 70s & 80s.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Marina Abramovic: the House with the Ocean View
For 12 days in November 2002, Marina Abramovic lived on three open platforms in the Sean Kelly Gallery in New York. She did not eat or speak, nor did have any privacy: the rooms were open and spectators were even invited to observe the artist through a high-powered telescope. This volume presents documentation of The House With the Ocean View alongside essays by the artist, her gallerist Sean Kelly, art historian Thomas McEvilley, curator Chrissie Iles, Cindy Carr, RoseLee Goldberg and Peggy Phelan.
Kira O’Reilly Playing in the Lab
This article considers a constellation of works the artist Kira O’Reilly has created in residencies in biology laboratories over the past several years.
