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Curators’ Series 11 programme

Reference: P3633 | Type: Publication

For the 11th edition of DRAF Curators’ Series, guest curator Victor Wang 王宗孚 launches the Institute of Asian Performance Art (IAPA), an international network to deepen the awareness and understanding of the history of early performance art in Japan, Korea, China and Taiwan.

Psychoanalyst Meets Marina Abramovic: Artist meets Jeannette Fischer

Artist/Author: Jeannette Fischer | Reference: P3596 | ISBN: 978-3858817945 | Type: Publication

A unique insight into the relationship between Abramovic’s biography and artistic work.

Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices

Editor: Gabriella Giannachi, Jonah Westerman | Reference: P3580 | ISBN: 978-1138184145 | Type: Publication

Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.

Performance art’s “master” Tehching Hsieh on the importance of isolation

Artist/Author: Bryony Stone | Reference: A0830 | Type: Article

An interview conducted at LADA’s new home in the Garrett Centre, Bethnal Green attempts to find out why the artist gave over his life to art.

Brgy. South Kensington

Artist/Author: Vittoria Bonifati, Jeth Reyes, Linda Rocco | Reference: P3551 | Type: Publication

Publication on the week-long, 24/7 durational performance art event which took place in a three-bedroom house, showcasing 10 international artists living and working together and live-streamed on Youtube.

This is Theatre… review

Artist/Author: Peri Mackintosh | Reference: A0777 | Type: Article

Review of Jan Faber's piece, performed at the ICA.

Eleanor Antin: Real Time Streaming catalogue

Editor: Rachael Thomas | Reference: P3514 | ISBN: 0902683527 | Type: Publication

Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001),  Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).

Women, the arts and globalization

Editor: Marsha Meskimmon,‎ Dorothy C. Rowe | Reference: P3532 | ISBN: 978-0719096716 | Type: Publication

The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.

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