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Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Frances Hegarty: Voice Over
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
Documenting Performance
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Still Hear the Wound: Toward an Asia, Politics, and Art to Come
The volume introduces English language readers for the first time to work by an emerging group of critics and artists addressing the legacies of colonial violence in present-day Japan. The volume contains translated essays, and an accompanying DVD with artist interviews.
Border as Method, or, the Multiplication of Labor
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
Valid until…
An in-depth research on the theme of borders and motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Reaching Athens: Performing participation and community in Rimini Protokoll’s Prometheus in Athens
Examines the experience of being in the audience during Rimini Protokoll’s performance.
Backpages: In Memoriam, David Bradby
Personal tributes from practitioners and colleagues
Fresh Tips 4
Fresh Tips 1 – 8
Rare Medium
Documentation of the event “Rare Medium” (The Center for Contemporary Art, Tel Aviv, Israel, 2008) curated by Ruti Sela. Booklet in hebrew with English translation.