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Joyce

Artist/Author: Ron Athey | Digital Reference: EF5113 | Type: Digital File

Exerpt of 2002 multi-media performance with 3 screen large format video with 4 actors.

Temporary Conversations: Aaron Hughes

Artist/Author: Aaron Hughes | Reference: P2481 | Type: Publication

An extended interview with artist and Iraq war veteran Aaron Hughes

Eroticism and Death in Theatre and Performance

Editor: Karoline Gritzner | Reference: P2426 | ISBN: 9781902806921 | Type: Publication

Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a series of dramatic texts, theatrical practices, and cultural performances

Male Trouble: Masculinity and the Performance of Crisis

Artist/Author: Fintan Walsh | Reference: P2409 | ISBN: 9780230579699 | Type: Publication

Male Trouble explores how Wetern masculinity has increasingly appeared as a troubled gender category in recent times, using a variety of performative case studies. Includes a chapter on work by Ron Athey and Franko B.

A Certain Level Of Denial

Artist/Author: Karen Finley | Reference: D2147 | ISBN: 09627014-0-8 | Type: DVD

A collection of spoken word performances from the artist’s show of the same title.

Ronnie Lee

Artist/Author: Ron Athey | Reference: D2140 | Type: DVD

An autobiographical film about the young Ronnie Lee, victim of exacerbated religiousness

From Death to Death and Other Small Tales

Reference: P2185 | ISBN: 978-1-906270-57-5 | Type: Digital File

Masterpieces from the Scottish National Gallery of Art and D. Daskalopolous Collection.

The Bruce Lacey Experience: Paintings, Sculptures, Installations and Performances

Artist/Author: Bruce Lacey, David Alan Mellor | Reference: P2129 | ISBN: 978-1-907208-28-7 | Type: Publication

He could be considered a latter-day English Dadaist, but Bruce Lacey's place in 20th-Century British Art is still uncharted and ill-attended to. He goes missing in critical accounts of mid- and late-century art and this short monograph is an attempt to remedy the omission by analysing his work in relation to the shifting cultural contexts of the period.

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