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Frances Hegarty: Voice Over
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
Narratives in Black British Dance: Embodied Practices
Bringing together the voices of dance-artists, scholars, teachers and choreographers, the book looks at a range of performing arts from dancehall to ballet, providing valuable insights into dance theory, performance, pedagogy, identity and culture.
Part of the Library of Performing Rights (P3041).
Jian Jun Xi
Publication charting the artistic practice of Jian Jun Xi.
Part of the Library of Performing Rights (P3041).
Performance Art and the Conflict in Northern Ireland: A Troubles Archive Essay
A Troubles Archive Essay. Includes the programme for Performance Art + Northern Ireland, exhibition at the Golden Thread Gallery (13/8/2015 – 30/9/2015)
Part of the Library of Performing Rights (P3041).
Readings in Performance and Ecology
Focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values.
Part of the Library of Performing Rights (P3041).
Edward Woodman: The Artist’s Eye
Presents Woodman’s work from his entire career, including artists’ portraits, studios, exhibitions, installations and performances, collaborations with artists, social documentation and more recent and personal works.
Performing Animals: History, Agency, Theater
In exploring the human-animal relationship from the early modern period to the nineteenth century, this publication questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence.
The Day of the Duck
Explores Englishness, pseudo public space and what it is to be considered an unwelcome migratory visitor in contemporary Britain through the eyes of a particularly pesky Muscovy duck.
Part of the Library of Performing Rights (P3041).
salt.
In 2016, two artists embarked a cargo ship and retraced a route of the Transatlantic Slave Triangle – Europe, Africa, the Caribbean – all the while contemplating the notion of home. Both real and imagined, it was a journey to the bottom of the Atlantic Ocean, propelled by questions and grief; a journey backwards in order to go forwards, a diaspora. This show is what they brought back.
Part of the Library of Performing Rights (P3041).
Copyright for Archivists and Records Managers
This comprehensive manual outlines copyright law in the UK with special reference to materials relevant to archive and records collections such as maps, legal records, records of local authorities, records of churches and faiths, most notably unpublished works. It also offers advice on rights in the electronic environment and the problems associated with rights clearance; and covers related areas such as moral rights and rights in databases.