Catalogue > By Keyword > Vallejo Gantner
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Curating Performing Arts
Artist/Author: Various | Editor: Florian Malzacher, Tea Tupajic & Petra Zanki | Reference: P1956 | Type: Publication
Frakcija no 55 explores the work of the curator.
Annemie Vanackere
art market
Barbara Raes
Barbara Van Lindt
Beatrice von Bismarck
Christophe Slagmuylder
curator
Dan Perjovschi
dance
Deufert + Plischke
Elke Van Campenhout
Florian Malzacher
Frie Leysen
Gabriele Brandstetter
Goran Sergej Pristaš
Gordana Vnuk
György Szabó
Hannah Hurtzig
Hans Ulrich Obrist
Hilde Teuchies Danjel Andersson
Hugo Glendinning
immaterial labour
Jan Ritsema
Juan Dominguez
labour
Lane Czaplinski
Marie Collin
Mårten Spångberg
Matthias Lilienthal
Matthias von Hartz
money
Nayse Lopez
Norman Armour
performance
Petra Zanki
producer
Rabih Mroué
Rebecca Schneider
Sally De Kunst
Sigrid Gareis
Silvia Fanti
Stefan Hilterhaus
Sven Birkeland
Tea Tupajić
theatre
Tim Etchells
Tom Bonte
Vallejo Gantner
Veronica Kaup-Hasler
Vincent Baudrille
Virve Sutinen
visual arts
work
Zvonimir Dobrović
Sacred Symposium
Artist/Author: a.a.s (aasgroup.net) Johanna Linsley | Reference: D1540 | Type: DVD
How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in?
banking
belief
Chelsea Theatre
credit
credit crunch
dependency
faith
finance
financial crisis
Jen Mitas
Johanna Linsley
Karen Christopher
live art
Lois Weaver
London
markets
money
Nicholas Ridout
Ontological-Hysteric Theater
performance
PS122
recession
Richard Foreman
Richard Maxwell
SACRED
Sacred: US Radical
Sara Jane Bailes
Sara Juli
Schizoproductive Performance Fiction
Vallejo Gantner
Sacred Symposium: A Make Believe World
Artist/Author: Aoife Monks, Sophie Nield | Reference: D1524 | Type: DVD
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
acting
ADS
belief
Chelsea Theatre
credit
dependence
imagination
Jen Mitas
Karen Christopher
Lois Weaver
Magic
Make Believe
money
New York City Players
Nicholas Ridout
performance
pretence
pretending
provocation
reality
Richard Foreman
Richard Maxwell
SACRED
Sara Jane Bailes
Sara Juli
the real
theatre
US Radical
Vallejo Gantner
value