Catalogue > By Keyword > visibility
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Walking Failure; What Tammy Found Out … About Being Femme
Video recordings of two performances presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.
The Cinema of Sally Potter: A Politics of Love
Drawing on archival materials and in-depth interviews, Mayer's book opens up historical, political and cultural vistas to give a full account of feminist filmmaker Sally Potter's career.
‘We’re people who do shows’: Back to Back Theatre Performance Politics Visibility
This book gathers key perspectives on Back to Back Theatre and the company's most influential shows
Ten Years On: Re-presenting VITAL, Problematising Playing Fields
A look back on the challenges encountered by the curators of VITAL and Vital Signs, a three-month contemporary arts festival and a one-day symposium held in Nottingham.
One Day Symposium: Being Seen Being Heard (Part 4) Long Table Discussion
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
One Day Symposium: Being Seen Being Heard (Part 1)
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
One Day Symposium: Being Seen Being Heard (Part 2)
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
One Day Symposium: Being Seen Being Heard (Part 3)
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Big Girls Do Big Things
Invites the audience into the depths of the surface-oriented world of the performer, where the personal and the material are mutually imminent, where style is content, the ‘how’ is inseparable from the ‘what’, and the difference between fiction and reality is irrelevant.
See Also: Big Girls Do Big Things (D1751)
Unmarked, the politics of performance
An analysis of the fraught relation between political and representational visibility in contemporary culture.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
