Catalogue > By Keyword > visual arts
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Helsinki International Artist Programme 2016 Yearboook
The third annual HIAP publication, which gives an overview of 46 residencies and a small sampling of events that took place in 2016.
Lexicon for an Affective Archive
An international collection offering glimpses into the intimate relations inherent in finding, remembering (or imagining), and creating an archive.
Relationship
Documenting a six-year relationship with photos, video stills, letters and ephemera, this book is a stunning, intimat, and wholly original visual narrative by two rising artists who put queer consciousness on the front burner.
Latifa Echakhch
The artist investigates cultural transfer and displaced identity through installation, sculpture, video and performance, culturally stereotyping artefacts such as flagpoles, Moroccan tea glasses and India ink in her art. Exhibition catalogue.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Symbiotic beasts
A report from the StabilityMobility Sharing conference held in Rotterdam.
Thoughtbook
Artist’s book, with fourteen of Lapschina’s works, and two essays. Signed and numbered limited edition of 500.
The Basement Group
Artists’ events, projects and publications curated, commissioned and produced from December 1979 to the present day. Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Artists in East London
Article compiled from the artistsineastlondon.org (on 14/5/2008).
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Australia: Nine contemporary artists
Exhibition catalogue; Los Angeles Institute of Contemporary Art, June-August 1984. Artists: John Davis, John Dunkley-Smith, Marr Grounds, Lyndal Jones, John Nixon, Mike Parr, Redback Graphix, Stelarc
Contemporary European Theatre Directors
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
