Aaron Williamson Acts of Clothing Bagism Balthazar Barby Asante Barbys Karaoke Barrierman Beastie Best Biennial Blind Football Bobby Baker Bow Gamelan Ensemble Bubbling Tom Building After Catastrophes CAPP childhood children Chris Burden Collaborative Arts Partnership Programme Concrete Barges confidence Cooking the Sunday Dinner Covers Creative Europe creativity Curious David Weber-Krebs David Weiss Dennis Oppenheim Drip Music education European Union Eva Meyer Keller family Following Piece Forced Entertainment Freeing the Voice From The Portfolio Of Doggedness Fundus Theater game George Brecht Guerrilla Girls Haircuts by Children Harold Offeh imagination intergenerational Issues Jana Sterbak Jeremy Deller John Lennon Joshua Sofaer Judy Clark LADA Live Art UK Lone Twin Mad for Real Mammalian Diving Reflex Marcel Duchamp Marcia Farquhar Marina Abramović Martha Rosler Maximilian Haas Mike Pearson Name in Lights On The Scent Person Saying a Phrase Peter Fischli Peter Weibel Psychogeography Remote Control Rope Piece Roundabout for a Crashed Helicopter Rrose Sélavy Santiago Sierra Semiotics of the Kitchen Showcase Beat le Mot Situationist International Soya Sauce and Ketchup Fight Stephen Cripps strategy Sybille Müller Tate Tehching Hsieh The Battle of Orgreave The Performativity of Matter The Search for Miracles The Way Things Go Theatre of Research Tomorrow’s Parties Trans-Fixed Two Stage Transfer Drawing Valie Export Vito Acconci Yoko Ono Zoe Laughlin

archive Arthur Wicks Jude Walton Bob Ramsay body critical theory documentation feminism hermann nitsch Jill Orr Jill Scot Jim Cowley Karen Finley Ken Unsworth Kevin Mortensen Lyndal Jones Marxism Mike Parr Peter Kennedy postmodernism psychoanalysis structuralism Stuart Brisley Vito Acconci

9 Beginnings abuse Adrian Heathfield Amelia Jones Andrew Quick archiving Blast Theory choreography Claire MacDonald curating dance document experimental theatre Felix Gmelin Fiona Templeton Giles Bailey Group Show history image Janez Janša John Hunter Kaprow Koh Nguang How Lin Hixon liveness Maaike Bleeker Marina Abramović Matthew Goulish Mike Pearson Nao Bustamente performance art politics repetition representation Robin Deacon Rosemary Butcher Simon Jones Singapore Stefanie Sachsenmaier Terry O'Connor Theatre of Mistakes Tim Etchells Traci Kelly visual art Vito Acconci Wooster Group Zhang Huan

Alwin Nikolais Carolee Schneemann Charles Amirkhanian criticism dance George Balanchine Jackson Mac Low Jean Dupuy John Cage Karen Finley Ken Dewey Kenneth King Lenny Bruce Martha Graham Merce Cunningham Meredith Monk Mimi Gerrard Morris Louis Paul Taylor performance art Pina Bausch reviewing Robert Watts Robert Wilson Samuel Beckett The Living Theater theatre Timothy Leary Tina Croll Twyla Tharp USA Vito Acconci Zaj

acting actor Antonin Artaud archetype Arthur Miller audience Bertolt Brecht body capitalism choreography cultural theory culture dance Denise Collier difference experience Fredric Jameson gender identity ideology interpretation irony Jerzy Grotowski joke Kate Bornstein Konstantin Stanislavski language Meredith Monk minimalism modernism narrative ORLAN performance Peter Brook political art politics presence resistance Richard Schechner Rosanne Barr self stand-up subjectivity Susan Foster theatre Vito Acconci Willem Dafoe women Wooster Group

aesthetic Allan Kaprow Artforum audience body art Chris Burden Dada dance Fluxus Futurist Gallery gesture Gina Pane Glenn Lewis happenings Joseph Beuys Laurie Anderson Meredith Monk painting performance art Richard Foreman ritual sculpture sex theatre Trisha Brown Vancouver Village Voice Vito Acconci women Yvonne Rainer

Aaron Williamson Acts of Clothing Bagism Balthazar Barby Asante Barbys Karaoke Barrierman Beastie Best Biennial Blind Football Bobby Baker Bow Gamelan Ensemble Bubbling Tom Building After Catastrophes CAPP childhood children Chris Burden Collaborative Arts Partnership Programme Concrete Barges confidence Cooking the Sunday Dinner Covers Creative Europe creativity Curious David Weber-Krebs David Weiss Dennis Oppenheim Drip Music education European Union Eva Meyer Keller family Following Piece Forced Entertainment Freeing the Voice From The Portfolio Of Doggedness Fundus Theater George Brecht Guerrilla Girls Haircuts by Children Harold Offeh imagination Issues Jana Sterbak Jeremy Deller John Lennon Joshua Sofaer Judy Clark LADA Live Art UK Lone Twin Mad for Real Mammalian Diving Reflex Marcel Duchamp Marcia Farquhar Marina Abramović Martha Rosler Maximilian Haas Mike Pearson Name in Lights On The Scent Person Saying a Phrase Peter Fischli Peter Weibel Psychogeography Remote Control Rope Piece Roundabout for a Crashed Helicopter Rrose Sélavy Santiago Sierra Semiotics of the Kitchen Showcase Beat le Mot Situationist International Soya Sauce and Ketchup Fight Stephen Cripps strategy Sybille Müller Tate Tehching Hsieh The Battle of Orgreave The Performativity of Matter The Search for Miracles The Way Things Go Theatre of Research Tomorrow’s Parties Trans-Fixed Two Stage Transfer Drawing Valie Export Vito Acconci Yoko Ono Zoe Laughlin

Aaron Williamson Acts of Clothing Bagism Balthazar Barby Asante Barbys Karaoke Barrierman Beastie Best Biennial Blind Football Bobby Baker Bow Gamelan Ensemble Bubbling Tom Building After Catastrophes CAPP childhood children Chris Burden Collaborative Arts Partnership Programme Concrete Barges confidence Cooking the Sunday Dinner Covers Creative Europe creativity Curious David Weber-Krebs David Weiss Dennis Oppenheim Drip Music education European Union Eva Meyer Keller family Following Piece Forced Entertainment Freeing the Voice From The Portfolio Of Doggedness Fundus Theater George Brecht Guerrilla Girls Haircuts by Children Harold Offeh imagination Issues Jana Sterbak Jeremy Deller John Lennon Joshua Sofaer Judy Clark LADA Live Art UK Lone Twin Mad for Real Mammalian Diving Reflex Marcel Duchamp Marcia Farquhar Marina Abramović Martha Rosler Maximilian Haas Mike Pearson Name in Lights On The Scent Person Saying a Phrase Peter Fischli Peter Weibel Psychogeography Remote Control Rope Piece Roundabout for a Crashed Helicopter Rrose Sélavy Santiago Sierra Semiotics of the Kitchen Showcase Beat le Mot Situationist International Soya Sauce and Ketchup Fight Stephen Cripps strategy Sybille Müller Tate Tehching Hsieh The Battle of Orgreave The Performativity of Matter The Search for Miracles The Way Things Go Theatre of Research Tomorrow’s Parties Trans-Fixed Two Stage Transfer Drawing Valie Export Vito Acconci Yoko Ono Zoe Laughlin

Adina Bar-On Adrian Stimson Âhasiw Maskêgon-Iskwêw Alain Arias-Misson Alastair MacLennan Alice Vogler Allen Ginsberg Andrea Hackl Andrigo & Aliprandi Angel Delgado arhive Art Week Fringe Arti Grabowski artistic practice Artur Barrio Barbara Campbell Bean Benjamin Sebastian Bob Raymond body Boris Nieslony Carolee Schneemann Chris Burden Clemente Padin contemporary art criticism David Dalla Venezia documentation El Siluetazo Elias Adasme Enrique Ježik Gastão de Magalhães Gerhard Dirmoser Gerry Schum Gianni-Emilio Simonetti Gina Pane Guillermo Giampietro hybrid Inder Salim Jelili Atiku Jill McDermid Joseph Beuys Juan Loyola Julie Vulcan La Pocha Nostra Legend Lin Dance Theatre Letícia Parente live art Marilyn Arsem Martin Renteria Melissa García Aguirre Norbert Klassen Norma Flores Olivier de Sagazan Paul Wong Paulo Bruscky Pedro Reyes performance art poiesis Regina José Galindo research Richard Ashrowan Rong Rong Rosemberg Sandoval S. J. Norman Sandra Johnston Shannon Cochrane Sigalit Landau Tania Bruguera Tehching Hsieh Terry Fox Terry Smith theory Ulay Vela Phelan VestAndPage Vito Acconci Waldemar Januszczak Waldo Bien Wen Yau Zai Kuning Zhang Huan

Ann Hamilton Anthony Braxton Archie Shepp artist statement Carolee Schneemann Gary Hill interview Joan Jonas Jonah Bokaer Laurie Anderson Marina Abramović Pauline Oliveros performance portrait Robert Ashley Robert Wilson Thurston Moore Vito Acconci