Catalogue > By Keyword > voice
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Lost in Trans
Video recordings of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
Performance and the Writing Life: A Conversation with Bonnie Marranca
This interview explores connections within editor Bonnie Marranca’s work and considers the way in which it has developed in conversation with artists in and around New York.
Sonic Somatic: Peformances of the Unsound Body
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
The Shit of God
The first collection of the texts by one of the world’s leading and most controversial performance artists. Diamanda Galas’s texts are interspersed with biblical passages, poetry from renowned writers and her own thoughts.
Performance Matters – Ella Jean Finer: A Play for Offstage Voices
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. A Play For Offstage Voices is a score composed entirely of lines written to be spoken from off stage. Voices authored by well-known writers to call, shout, cry and exclaim from somewhere, above and within have been collected and choreographed into an ‘event score’ in which voices such as Beckett’s V, Lorca’s Voz and Stoppard’s voice (in the darkness) encounter each other in the marked off space they share. Also see ref. D1920; D1922-3 and D1316-D1319.
Verbo 2010
Programme for Verb an annual performance festival dedicated to performance by artists from Brazil and the rest of the world. partnership with the Centro Cultural São Paulo and FUNARTE. Language: English and Portuguese. (The programme features descriptions of the actions in the original language and in English).
Retroflections
A show about shape-shifting, sensuality and self-regard, first performed at the RVT in August 2010
Sounds from Beneath, Part 3 from XENON: an exploded opera
A work centring around a choral piece for which Karikis invites an ex-miners’ choir to recall and sing the subterranean sounds of a working coal mine.
The Body in Pain: The Making and Unmaking of the World
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
FAT
Part of Access All Areas Screening Programme, also available with subtitling as ED1227SUB. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
