anti-nuclear movement archiving feminist art Feministo Fenix Fleur de la Lune Greenham Common Iris Like Gold in the Furnace multi-lingual performance Neither Loaves nor Fishes performance art politics Sister Seven Six Days of Momentary Art socially engaged Triple Transformations universal declaration of human rights valentine Walter Benjamin

20th century 21st century activism aestheticization archiving art institution art object artistic practice avant-garde Clement Greenberg communism conceptual art contemporary art criticism curating digital reproduction direct realism documentation Google Ilya Kabakov installation internet Karl Marx Kazimir Malevich Martin Heidegger Michel Foucault modern art modernity museum politics preservation realism reproduction revolution Suprematism theory Walter Benjamin Wikileaks works of art

Bertolt Brecht camera cinema Edinburgh Festival epic theatre likeness Philip Auslander photographs Raymond Williams realism selfie semiology tableau vivant Walter Benjamin

9/11 agency Australia Barbara Hodgdon Blur Street Broadway citizenship civic spaces community cultural policy Daniel Libeskind First Nations George W Bush heterotopia Janet Cardiff Jen Harvie Jewish Museum Berlin Joanne Tompkins Klaus van den Berg Laura Levin Lois Weaver London Manhattan Marla Carlson Marlis Schweitzer memorial memory Michael McKinnie Monument multicultural New York performance photography queer Rebecca Rugg Rebecca Schneider republicans Ric Knowles ritual site specific space Tate Modern theatre Toronto Turbine Hall urban studies Walter Benjamin World Trade Centre

Adrian Piper Alvin Lucier amplification Ann Hamilton Antonin Artaud audience audio Bill Viola Bob Connolly bodies body boredom breath Bruce Nauman Cang Xin Chris Burden Christian Marclay Claude Wampler Cornelia Parker Dave Dyment David Merritt endurance Erik Satie Georges Batailles Hayley Newman hearing Herman Melville identity installation Jean-Pierre Gauthier John Cage Joseph Beuys Joseph Pujol language listening Marina Abramović Marla Hlady Martin Kersels Maurice Blanchot Michael Fernandes mouth music mutism noise Philip Von Zweck Raymond Gervais repetition Rober Racine Robert Morris Robin Anderson roman Opalka Roula Partheniou Samuel Beckett Samuel Roy-Bois Santiago Sierra silence somatic sonic sound sound art space speech the abject theory Tom Friedman Ttsuo Miyajima Vito Acconci voice volume Walter Benjamin Xu Zhen Yayoi Kusama

Alan Sinfield Alfred Jarry Andre Breton Anton Chekhov Antonin Artaud Arthur Symons August Strindberg avant-garde Bertolt Brecht Caryl Churchill Christopher St. John Cicely Hamilton criticism Emile Zola Enrico Prampolini Ernst Toller Eugenio Barba Ewan McColl Federico García Lorca Filippo Tommaso Marinetti Forced Entertainment Guillaume Apollinaire Guillermo Gómez-Peña Hallie Flanagan Hans-Thies Lehmann Helen Gilbert Henrik Ibsen history Howard Barker ideology James Baldwin Jean Baudrillard Joanne Tompkins John McGrath László Moholy-Nagy Laurie Anderson Marie Bressard Marie Irene Fornés Mark Ravenhill Maurice Maeterlinck naturalism Nicholas Zurbrugg Oskar Kokoshka Pierre Quillard politics Raoul Hausmann Robert Lepage Roland Barthes Ronald Gow Sheila Stowell SuAndi Susan Carlson Terry Eagleton text theatre theory Tim Etchells Umberto Boccioni Walter Benjamin Walter Greenwood

Abbie Hoffman activism activists anarchy Antonio Gramsci Bertolt Brecht C.L.R. James Christopher Hill criticism culture-jam Dick Hebdige direct action environment Eric Hobsbawm ethics feminism feminist gender Hakim Bey history human rights intervention Janice Radway Karl Marx lesbian Mahatma Gandhi Matthew Arnold Mikhail Bakhtin money new media political popular culture protest Raymond Williams riot grrrl Robin Kelley sexuality site specific socially engaged Stuart Hall subculture subvert technology Theodor Adorno theory Tom Frank Virginia Woolf Walter Benjamin women

AIDS computer imaging disability Donna Haraway Félix Guattari Maurice Merleau-Ponty MRI Petra Kuppers Roland Barthes Shimon Attie skin Walter Benjamin

anthropology Antonin Artaud Bertolt Brecht community art criticism dialectics empty space Gaston Bachelard human rights image inspiration Karl Marx lay theatre lived experience Michel de Certeau Michel Foucault nature place politics postmodernism Situationists space Spontaneity spontaneous surrealism theory time universal declaration of human rights Walter Benjamin William Shakespeare

AIDS Allan Kaprow Borderlands collaboration Dan Hurlin equality feminism feminist HIV homophobia lesbian LGBTQ performance politics queer Roger Cook Sharon Hayes Vito Aconci Walter Benjamin