Catalogue > By Keyword > William Pope.L
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Performing Idea: Reciprocal Aesthetics
Performance Matters, Performing Idea – Reciprocal Aesthetics7th October3:00-7:30pmToynbee StudiosWith: Ron Athey, Wafaa Bilal, Maaike Bleeker, Shannon Jackson and Julie Tolentino The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.’ Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared?
The Many Headed Monster: The audience of contemporary performance
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.
William Pope.L: The Friendliest Black Artist in America
Artist video.
Interviews
Collection of interviews with artists.
The Fiery Furnace
The Interventionists
Accompanies the exhibit at MASS MoCA and serves as a user’s guide to art that is exciting, provocative, unexpected, inspiring (artistically and politically).
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793)
Ain’t no such thing as Superman - William Pope.L
Live: Art and Performance
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
