On the subcultural milieu of contemporary body modification, focusing on the ways sexuality, gender and ethnicity are being reconfigured through new body technologies.
Editor: Helena Reckitt and Peggy Phelan | Reference: P0229 | ISBN: 0-7148-3529-3 | Type: Publication
Anthology of voices of key contemporary artists concerned with feminism, from the 1960s to the 1990s/beginning of 2000s, with text by Reckitt and Phelan. Includes biographical information. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.
