DIY: 2016 – immigrants and animals ‘unprofessional class’
- Year
- 2016
- Address
Bankside
London SE1 9TG
THE DEADLINE FOR THIS DIY HAS NOW PASSED
immigrants and animals' unprofessional class for the self-proclaimed dancer who doesn’t give a fuck about being professional and just wants to keep dancing. this is a class for anybody who is interested
Project summary
consider dancing as a social/formal/spiritual/technical/procrastinatory/anti-commodifiable human event and engage with unprofessional class as you wish, as hobby, a conversation, a workshop, an indulgence, a tool to reflect on your own practice with. as some dancing. some dancing that is a gleeful waste of time, a resistance to capitalism and the development of cultural capital (or capital of any kind) or function or product; non-practical bodies dancing towards no particular purpose or end, not getting better at anything, being present.
we don’t believe that we have anything to teach, we learn by keeping going. ultimately, we want to share our practice which is basically fucking about for ages in a room, getting tired and calling it work. we think that dancing on a stage need not look different to dancing in a club, kitchen or bus stop. we still don’t even know if we care about stages. most likely there’ll be some karaoke.
Participants
this is a class for anyone who is interested.
Dates, times and location
there will be five unprofessional classes between the thirteenth and twentieth of october twothousandsixteen with two days off (as some kind of fake weekend, because this is work). each class will happen at a different time of day. we do not want to build a temporary group or community and so no-one is expected to come to all of the sessions (apart from us we guess).
unprofessional class will happen at the tate in london. we are currently trying to think about how to engage with such an institution – as an independent conceptual dance outfit we don’t want our critical context to be shaped or determined by anyone else.
this DIY is supported by Tate (Families and Early Years).
The artists
we remain dancers for hobby not only dancers for money. unprofessional class is an activity that seeks to undo illusions and sketchy internalised systems of value in relation to what and how a ‘professional artist’ is, or should be, or should do. we are trying to fabricate various strategies to do our job, be well, have fun, resist all the bullshit and still survive in a neoliberal capitalist system. unprofessional class is one such strategy. www.immigrantsandanimals.com
Banner image credit:
Photo credit: the artists
Part of DIY: 2016
Unusual professional development projects conceived and run BY artists FOR artists
DIY: 2016 – Aaron Williamson ‘Average Jo/e Modelling Agency’
depicting a fantasy-fiction average lifestyle
Read moreDIY: 2016 – Angela Bartram ‘Be Your Dog’
Lots of dogs, lots of humans: experiencing what it is to be the other through collaboration
Read moreDIY: 2016 – Call for Proposals
Unusual professional development projects conceived and run BY artists FOR artists
Read moreDIY: 2016 – Curious (Leslie Hill & Helen Paris) ‘PRIVATE KEEP OUT!’
A weekend by the sea side exploring the very British obsession with privacy
Read moreDIY: 2016 – Eloise Fornieles ‘You’re an Animal!’
An opportunity to make an animal of yourself
Read moreDIY: 2016 – FK Alexander ‘HEAVY META(L) – The Power of Collective Action and of Power Chords’
durational, task based actions, silence and drone metal
Read moreDIY: 2016 – Hunt & Darton ‘You’re Not Local’
Becoming local – contextualising work for a place or context in which you don’t necessarily belong
Read moreDIY: 2016 – Jade Montserrat & Ria Hartley ‘The Rainbow Tribe: Affectionate Movement’
celebrate social media’s power to transform cultural currency into empowerment
Read moreDIY: 2016 – James Stenhouse ‘Survival Skills for Artists’
A 3-day expedition to find out what it means to survive as an artist
Read moreDIY: 2016 – Karen Christopher ‘Dream Audience’
a mutual response group for giving and getting feedback
Read moreDIY: 2016 – Katherine Araniello & Laura Dee Milnes ‘Playing The Victim’
Wallowing in the pathetic
Read moreDIY: 2016 – Katie Etheridge & Simon Persighetti ‘342843 DavidBowie’
Bowie, Stargazing and Performance Writing
Read moreDIY: 2016 – Louise Orwin ‘Oh Yes! Oh No!: A Good Girl’s Guide to Liberating Your Orgasm’
Let’s talk about sex, baby.
Read moreDIY: 2016 – Oreet Ashery & Anna Colin ‘The Art Curriculum, Memory or Imagination’
What do we mean by Art Pedagogy?
Read moreDIY: 2016 – Rhiannon Armstrong ‘DIY Public Selfcare System’
exploring acts of self care we have to perform in public
Read moreDIY: 2016 – Season Butler ‘Stet* – Performative Writing and Doing History’
a performative writing retreat on commemoration and constructive forgetting
Read moreDIY: 2016 – Stacy Makishi ‘Kick My Butt’lins!’
Hello Campers! Do you need a break? Do you need a boot up the ass?
Read moreDIY: 2016 – Stephen Hodge ‘T(r)ipping points: the architect-walker and the destabilised city’
exploring notions of ‘tripping’ and ‘tipping points’ through the lens of the ‘architect-walker’
Read moreAlso
DIY 2020: Harun Morrison & Ofelia Jarl Ortega – Forest as Score
“We will each immerse ourselves in a nearby forest and co-generate shared experiences through a series of synchronous somatic exercises and collective reading online. These activities will be the departure point for writing ghost stories and erotica.”
Read more