DIY: 2018 – Katherine Araniello & Teresa Albor: How the fuck…?
An exercise in the possibilities of not planning. Not having a plan is our de facto plan.
Deadline for applications: 5pm, Mon 18 June
This DIY is supported by the Southbank Centre
Project summary
Administration can crush the creative spirit. Over planning and working out details is limiting and time consuming. We are already making plans in our heads and we are fighting to stop this tendency to prepare. We genuinely want to see what happens when a dozen artists just turn up. We will completely avoid the possibility that “things will not go to plan” as it will be impossible for this to happen if there is no plan.
1. Everyone turns up on day one at 12:00 pm
2. We see what happens
3. We eat and drink whenever we want
4. We see what happens
5. We go home
Day two:
Repeat day one
How to apply
The online application asks why you would like to participate in this DIY, followed by an example of something that you didn't plan (or which didn't go to plan) and something which was destroyed by over-planning.
Dates, times and location
Dates: 8-9 Sep 2018
Times: 12noon-6pm both days
Location: London
The artists
As a team: we are both artists who do an extraordinary amount of planning and administration. We are genuinely interested in serendipity, playfulness, being “in the moment”, and we are very tired. Together, we have developed a live art methodology wherein we come up with a concept, work out the narrative (if there is one), gather the props—but we do not rehearse, we improvise. (Beauty Salon, 2018; Bake a Cake, 2018). We want to take this lack of planning a step further….
Katherine Araniello is a London-based performance artist, who uses performance, video and subversive humour in response to the mundane, social awkwardness and the negative representation of disability. In the past year she has worked with artists such as Ursula Martinez, Kim Noble, Daniel Oliver and Teresa Albor.
Teresa Albor is also based in London (although she was born and raised in the US). Having begun her career as a painter/sculptor, she’s been making live art for a decade—alongside video, sound and installation work. She’s currently an artist in residence at Kings College (focusing on heroin and unconditional love). Over the past year she’s worked with Katherine Meynell, Lady Helena Vortex, Sarah Kent, Dagmara Bilon and Katherine Araniello.
For questions about this DIY, please contact Teresa.
Banner image credit:
image credit: Katherine Araniello & Teresa Albor
Part of DIY: 2018
Professional development projects – by artists for artists – across the UK.
DIY: 2018 – Ana de Matos & Ria Hartley: Queer.Actions.360
Exploring possibilities of presence, sense and sound in VR performance
Read moreDIY: 2018 – Ania Bas with Sally O’Reilly & Kit Caless: A New Career In A New Town
Explore the performative potential of co-produced text in the context of a new town
Read moreDIY: 2018 – Brian Lobel, FK Alexander & Season Butler: FUCK PERFORMANCE ART, GIMME MY BOXSET
Exploring television, Live Art, and the relationship between binge watching and durational/endurance performance
Read moreDIY: 2018 – Call for Participants
Professional development projects conceived and run by artists, for artists
Read moreDIY: 2018 – Call for Proposals
Apply to lead a professional development project as part of DIY 15
Read moreDIY: 2018 – Documentation Action Research Collective: Transformance
Blurring the lines between live performance and documentation
Read moreDIY: 2018 – Hamish MacPherson: We Robot
We will transform ourselves into an interconnected cyborg entity
Read moreDIY: 2018 – Helena Hunter: Encounters
A residential for artists working with environments, organisms and geologies
Read moreDIY: 2018 – Joanne Matthews: Wild Philosophy: Raving, Running, Reading
theory and philosophy for women channeling punk, rave energies and radical sensitivity
Read moreDIY: 2018 – Joshua Sofaer: Artists and their Families
Artists working together with non-artist family members
Read moreDIY: 2018 – Katie Etheridge & Simon Persighetti: DIY Twin Town
Connect, exchange, celebrate and create a Live Art Twinning Ceremony!
Read moreDIY: 2018 – Liz Rosenfeld: (Un) Doing Cruising Practice(s)
Creating a space for women in queer cruising culture
Read moreDIY: 2018 – Marikiscrycrycry: SH4ME/[N0 SH4ME]
Giving form and function to the dance party
Read moreDIY: 2018 – Mary Paterson & Deborah Pearson: Homme de Plume
Become the privileged human you’ve always wanted to be
Read moreDIY: 2018 – Nando Messias: Art & the Self: What did Narcissus see?
A self-reflective workshop on the play of narcissism in creativity
Read moreDIY: 2018 – Nigel Barrett & Louise Mari: Tiny Revolutions
How to make a working political theme park for babies and early years
Read moreDIY: 2018 – Nwando Ebizie: Afro Diasporic Ritual as Afrofuturist Technology
Exploring neuro-mythology, Haitian Vodou dance, and atypical perception
Read moreDIY: 2018 – Owen G Parry & Angel Rose: Luv 2 H8 U
A hangout for ‘haters’, anti-fans and the uninitiated
Read moreDIY: 2018 – Project O: How do we DEAL and how do we do better/do US?
Untangling knots so that they can extend into action
Read moreDIY: 2018 – Rhiannon Armstrong & Rachel Mars: Ugly Singing
“Ugh, that sounds weird: do it more!”
Read moreDIY: 2018 – Sorryyoufeeluncomfortable: Black Drift Walking
Black study, being in space and black bodies navigating space
Read moreAlso
DIY 2020: Nwando Ebizie – Lucid Kink
An intimate online pleasure LAB for disabled queers exploring Kink as an artistic tool for self-care.
Read moreDIY: 2018 – Brian Lobel, FK Alexander & Season Butler: FUCK PERFORMANCE ART, GIMME MY BOXSET
Exploring television, Live Art, and the relationship between binge watching and durational/endurance performance
Read moreDIY: 2016 – Seke Chimutengwende & Alexandrina Hemsley ‘Unfunky UFO’
Join us as we form a time-travelling band
Read moreDIY: 2017 – Bridget Floyer & Susan Merrick: Your Neck Of The Woods
“Why should anybody listen to you if you are not a good neighbour?”
Read moreDIY: 2017 – Call for Participants
Professional development projects conceived and run by artists for artists
Read more