One To One 2004/2005 guidelines – Open Call Closed

Individual Artists’ Bursaries in Live Art 2004/05

Deadline for applications: 6pm on Monday 11 October 2004

These guidelines are available in Braille, large print or on tape on request.

 

Introduction
One To One individual artists’ bursaries aim to provide artistic and professional development opportunities for individual practitioners based in London engaging with Live Art.  The bursaries were instigated by London Arts in 1999 and are managed by the Live Art Development Agency with funding from Arts Council England (London office).

One To One bursaries of £8,800 will be awarded to artists to undertake self determined artistic and professional development strategies that will stimulate new processes, support different ways of working and ultimately enhance their artistic practice.  We aim to award seven bursaries.

One To One bursaries are for the support of individual artists’ development and are not project or production grants.

The One To One bursaries are not prizes or awards for achievements in the field and all applicants are requested to read the assessment criteria carefully.

 

Context
Evolving from Performance Art, Live Art covers a range of performance, performative and time based practices that are undefined or unrestricted by artform boundaries.  Live Art is not a singular artform, but a cultural strategy to include ways of working that might otherwise be excluded from a range of curatorial, cultural and critical frameworks.

Live Art offers a space in which artists can take formal and conceptual risks, try out different ways of working, consider ideas of process, explore aspects of their practice and investigate relationships with an audience.  Live Art offers artists choices and approaches that can impact or inform their evolving practices and a context to look at different mediums of expression.

The fluid nature of Live Art means that artists often move in and out of the field throughout their careers.  Live Art is not restricted to performance practices but can include interactive media, film and video, and durational installation work that address the specificities of spaces, places and audiences and where ideas around process and presence are central.

With no fixed paths or signposts to follow however, the exploratory processes of Live Art demand different approaches to ideas of art and artists’ development.  Conventional ideas of training, research and career development are often unable to effectively address how artists are supported in their artistic and professional development where process is not only critical but also inherent.

Under pressure to produce new work and simply survive, many artists are denied opportunities to fully formulate their ideas or their practices or self-determine their role and representation.  Artists are increasingly demanding time and space to develop their complex ideas.  There is no doubt that when they are able to access safe spaces, creative and flexible support and effective resources, artists are demonstrably fulfilling their artistic potential, achieving more rigorous standards, effecting more appropriate means of representation and are generally more empowered and grounded.  This could, of course, be said of any art form, but with Live Art ideas of what spaces, support and resources actually mean are almost unlimited.  For example, space can mean space to think, to make, to read, to discuss, and to undertake academic or practical research to try out ideas without pressure and to have the right to fail.  Existing structures and approaches cannot always respond to such plurality of need.

Moreover, how ideas come into being is a complex process in itself.  Given that Live Art is grounded in ideas and imagining different ways of approaching art and audiences, supporting the development of new ideas is not only intrinsic to, but is also the driving force of the Live Art sector.

The One To One bursaries provide an opportunity to actively contribute to artists’ development by introducing new ways of responding to individual artists and their diverse needs and unpicking and influencing the forces that impact on their practice.

There is more information about Live Art on this website.

 

The Bursaries 2004/05
The guidelines and framework for the One To One bursaries have been devised in response to an artists’ focus group held in May 2004 and an appraisal of the first five years of the scheme conducted for the Agency by Salette Gresette.

The allocation of £61,600 for 2004/05 will be awarded as seven individual bursaries of £8,800 each to artists to undertake self determined artistic and professional development strategies.

Artists from culturally diverse backgrounds and artists who identify themselves as disabled are particularly encouraged to apply.  We also encourage applications from artists engaging with unusual or challenging forms and concepts in their practice, and artists exploring different ways to address complexity and/or engage with ‘an audience’.

The programme of work should be completed within 12 months of receipt of the bursary, apart from in exceptional circumstances.

The nature of the One To One bursaries is open and will be tailored around the aspirations and needs of each participating artist.  Some artists, for example, may wish to ‘buy’ space, expertise or access to training and resources to hone and/or develop particular skills and interests.  Others may wish to undertake specialised research or take time to think, write or imagine different ways of working.  Some artists may wish to find mentors, engage in critical discourses around their practice or undertake attachments.  Others may choose to revisit projects and ideas prematurely abandoned for any number of reasons.  Small capital purchases will be considered in exceptional circumstances as part of the use of the bursary.

Please note that the One To One bursaries are not production, project or specific research grants.  Whilst the bursary scheme is about supporting artists rather than ‘art’, it is recognised that it is not always possible to separate professional development programmes from specific projects.  Research undertaken through the bursary can inform projects but bursary grants cannot be used for direct project costs.

The bursaries are to support programmes of artistic and professional development that are unlikely to be supported through any other funding schemes such as Grants for the Arts or Trusts and Foundations.

For information about funding for projects please contact Arts Council England, the national development agency for the arts, about Grants for the Arts on www.artscouncil.org.uk or 0845 300 6100.

The management, monitoring and evaluation of each bursary award will be devised in collaboration with participating artists and facilitated and managed by the Live Art Development Agency.  The facilitation process and tracking strategies employed will respond directly to the aspirations and objectives identified by each artist.  All recipients of bursaries will be expected to produce a report (including final income and expenditure breakdown) with supporting material.

 

Eligibility
The 2004/05 One To One bursaries are aimed at individual artists who are based in London and who have realised a body of work.  It is unlikely that an artist who has not completed at least four professional pieces of work will be supported through the initiative.

The One To One bursaries are available for individual artists only, however, this does not exclude artists who work collaboratively and/or in a company applying for their individual professional development.

Full-time undergraduate students may not apply.

Artists who have been in receipt of a bursary or similar ‘open’ award (including an AHRB Fellowship) within the last six months will not be eligible in this year’s scheme.

Previous One To One bursary recipients are eligible to apply for a One To One 2004/05 to pursue a further programme of professional development after three years from completion of their first bursary.

If you are unsure about your eligibility please call to discuss it with us in advance.

Artists who are at an earlier stage in their development should consider applying to the Artsadmin Artists Bursary Scheme.  For more information contact Manick Govinda, Artists Advisor or Nikki Tomlinson, Assistant Artists Advisor at Artsadmin, on 020 7247 5102 or [email protected] or [email protected]

 

Application procedures
You must discuss your proposal in advance with the Live Art Development Agency either in person, by phone or by email.  In addition we are running One To One surgeries on Wednesday 8, Thursday 9, Wednesday 15, Thursday 16, Wednesday 22 and Thursday 23 September 2004.  Surgeries will be offered on an individual basis and you should call to book a place.  Attendance at the surgeries is not compulsory or part of the application / assessment procedure.

After discussing your proposal eligible artists are invited to apply for an individual bursary award by submitting a written application of up to 4 sides of A4.

Your application should include the following information:

1. Up to date correspondence and contact details.

2. Brief background information including:
i. succinct details of recent and current projects and activities;
ii. a brief description of the nature of your practice and in particular its relationship to Live Art and time based work.

3. A full description of the programme of artistic and professional development strategies you plan to undertake.

4. A clear statement of the artistic impetus, aspirations and desired outcomes of the proposal including a summary of practical and conceptual needs.  You should specify how the proposed work relates to your recent practice and ongoing development and demonstrate the ways in which the bursary will contribute to your personal and professional development.

You should also submit supporting material that is appropriate and representative including a full CV, videos, slides, publications, press and letters of recommendation (if available).  If you have recently received a bursary, grant or award for your practice please list this including relevant start and finish dates.  Please include a list of the supporting material you submit.

If you plan to submit a video as supporting material please ensure that, if it is longer than 10 minutes, you clearly identify an appropriate short extract.  If submitting slides, please supply no more than 10 standard 35mm slides.  CD Roms, DVDs and details of web sites are also welcomed as supporting material.

Please ensure that all supporting material is clearly marked with your name and address.  Please note that any material you submit is done so at your own risk and we will only return supporting materials if requested to and if a SAE (stamped address envelope) is enclosed.

You must complete a monitoring questionnaire (attached to the back of these guidelines) and return it with your application, which will not be eligible without it.

Artists whose access needs make a written application inappropriate may submit a pre-recorded video presentation or submit a proposal in person in the form of a short presentation to the selection panel.  Submission of an application in a manner other than through a written application will only be agreed in exceptional circumstances and you should contact the Live Art Development Agency as early as possible to discuss your access needs and the form of your application.

 

Assessment Criteria and Selection 
The applications will be assessed by a selection panel consisting of staff of the Live Art Development Agency and a small group of independent advisers.  The advisers on the selection panel may include artists (including past recipients of One To One bursaries), producers, promoters or critics.  An observer from Arts Council England (London office) will be present at the assessment meeting.

In certain circumstances the selection panel may identify further information that it may need to help in the assessment of applications.  This information will be requested from the applicant who can choose to respond in writing or verbally (e.g. by email, on the phone or in an interview).  Please note that the selection panel may decide not to seek further information and applicants should therefore not assume that if they have not been asked for further information that their application is not shortlisted.

We aim to award seven bursaries of £8,800 each, however, in exceptional circumstances the selection panel may award less than the amount requested.

The selection of artists for 2004/05’s One To One bursary awards will be based on:

– the relevance of the proposal to the overall aims of the scheme

– the significance of the proposal to the artistic development of the applicant

– the timeliness of the proposal to the artistic development of the applicant

– the uniqueness of the proposal and imaginative approaches to notions of process

– the extent to which the proposed process shows clear artistic direction and vision.

– a commitment to innovation in form and content

– the viability of the proposal and the ability of the applicant to realise their aspirations within the time and resources available

– a demonstrable need for financial assistance for the programme of work and/or the programme of work being such that it would be unlikely to be funded through other sources

 

Further information
If you require further information please contact Lois Keidan or Daniel Brine at the address below.

Please note that you must discuss your application prior to submission to avoid you spending valuable time and energy on a potentially ineligible proposal.

 

Application deadline
Completed applications must be received by 6pm on Monday 11 October 2004.

Applications, clearly marked One To One, should be sent to the Live Art Development Agency at the address below.  Please note we cannot accept faxed or emailed applications.  We will only consider applications received by the deadline.

Announcement of bursary awards will be made by mid November 2004.

 

Notification of results
We will write to applicants giving the result of their application.

If your application is successful, you will receive an offer letter from the Live Art Development Agency that you will need to sign and return.  We will publish a list of all the bursaries, which will be available on request.

Successful applicants will be required to acknowledge the financial assistance of the Live Art Development Agency’s One To One Bursary Scheme in publicity for events and/or projects which have benefited from the bursary.

If your application is unsuccessful, we will give you a reason for this.

 

Complaints procedure
Complaints and appeals in relation to the One To One bursaries are undertaken under the Complaints and Appeals Procedure of the Live Art Development Agency.  Information about the procedure is available on request from the Live Art Development Agency.

 

Who we are
The Live Art Development Agency is an independent organisation launched in January 1999.  The Live Art Development Agency offers a range of services and resources for artists and organisations in London working in, or planning to work in, Live Art including practical information and advice and opportunities for dialogue, debate, research and training, often in partnership with artists and institutions.  The Live Art Development Agency is a fixed-term funded organisation of Arts Council England (London office).

The One To One bursaries are financially assisted by Arts Council England (London office).

Contact details
Live Art Development Agency
First Floor
Rochelle School
Arnold Circus
London E2 7ES

Phone:020 7033 0275
Fax: 020 7033 0276

Email: [email protected]
Website: www. thisisLiveArt.co.uk

Recipients of One To One bursaries in 2003/04
Information about recipients of One To One bursaries in 2002/03 and One To One bursaries in 2003/04 can be found on this site.

 

Equality of Opportunity
The Live Art Development Agency is committed to equality of opportunity.  Following is the Live Art Development Agency Equality of Opportunity statement.

The Live Art Development Agency supports issues of diversity in the practice and politics of Live Art and is positioned and structured to be able to work effectively with, and within, a range of cultural frameworks, artistic practices and social issues.

The Live Art Development Agency ensures that all artists it works with embrace notions of equity in both their practices and working methods.

The Live Art Development Agency is committed to responding to the complex needs of a diverse city and, in its schemes and initiatives, aims to enhance the involvement of artists and the public regardless of age, sex, race, disability, sexual orientation or education.

The Live Art Development Agency is a small organisation with three staff, Lois Keidan, Daniel Brine and Hannah Crosson.  All other personnel are employed on a freelance or project basis and the Live Art Development Agency aspires to be an equal opportunities employer in all recruitment and selection procedures.

 

Monitoring
Both the Live Art Development Agency and Arts Council England place a strong emphasis on equality of opportunity and access.  In order to help us monitor this commitment, please complete this monitoring questionnaire.  You must return this questionnaire with your application, which will not be eligible without it.

The questionnaire asks for statistical information only.  We will not use the information you provide here in assessment and will detach it from your application.

We have designed the questions on this form to help us analyse applications to the One To One bursary initiative and to be compatible with the information collected by Arts Council England.  We will share the data collected through this form with Arts Council England for monitoring purposes.  You should choose the answers which best describe you.

Cultural diversity
Please state what you consider to be or how you chose to define your ethnic origin (for example, Asian, British Asian, White European, Black Caribbean, British Chinese, etc).

_________________________________

 

Disability

The Disability Discrimination Act defines disability as a physical or mental impairment which has a substantial and long term adverse effect on a person’s ability to carry out normal day-to-day activities.

Do you consider yourself to be a disabled person?            Yes  ______          No    ______

Age
To which age group do you belong?

Below 20 ______ 20 – 29  ______ 30 – 39  ______

40 – 49 ______ 50 – 59  ______ Above 60

Gender
How do you describe your gender?

_________________________________

One To One bursary visibility
How did you find out about this scheme?

Live Art Development Agency mail ______

Advertisement:

AN  ______
Art Monthly ______
Live Art Magazine online  ______
DAIL  ______
Creative Capital information ______
An email posting ______
Word of Mouth ______
Other   please specify: ____________________

You must return this monitoring questionnaire with your application. Your application will not be eligible without it.