A Short History of Performance: Part Two
Notes
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Editor | Andrea Tarsia |
---|---|
Publisher | The Whitechapel Art Gallery |
Reference | P0417 |
Date | 2003 |
Type | Publication |
Keywords
Similar items
Critical Theory and Performance
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Sex, Suffrage & the Stage
Provides a survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen’s A Doll’s House in 1889 through the militant suffrage movement.
Part of the Library of Performing Rights (P3041).
Dust
Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Avant-Garde Theatre Sound: Staging Sonic Modernity
Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
Restless Images: The Feminist Performances of Rose Finn-Kelcey
Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).
Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
Be Here Now
Adam E Mendelsohn article discussing the retrieval of history through re-enactment.
File Note #54: Mel Brimfield
Published to accompany This Is Performance Art: Performed Sculpture and Dance, 8th April 2010 – 06 June 2010, Camden Arts Centre, co-commissioned by the Yorkshire Sculpture Park Also see D1485 and P1518.
A Short History of Performance: Part One
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)