Admixture: Human Migration and Genetic Inheritance
Notes
A 5-part public engagement project inspired by the history of human migration and the mechanics of genetic inheritance.
| Artist / Author | Joshua Sofaer, C. Tyler-Smith, D. Eagleman |
|---|---|
| Publisher | Little Museum |
| ISBN | 978-0-9561365-6-5 |
| Reference | P1761 |
| Date | 2011 |
| Type | Publication |
Keywords
Similar items
Sonia Boyce: Reclassifying Classification
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.
Leaving Berlin : On the Performance of Monumental Change
Performance Research Vol 6. No. 1. Spring 2001
Departures
The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.
Leaving Berlin : On the Performance of Monumental Change
Nicolas Whybrow
pp. 37 – 45
Fatimah Asghar
shado Issue 02: Global Womxnhood
Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.
Delaine Le Bas : Secession
A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.
Languages: German, English
Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Sex, Drag, and Male Roles : Investigating Gender as Performance
This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.
Uninstalling Normality: A Study Room Guide on Madness, Mad Pride & Questioning Normality (2024)
A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health
They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
On Ageing (&Beyond)
Performance Research Volume 24 Issue No 3 April/May 2019
pg 40-48
Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p4-20
Towards an Eighth Fire Approach : Developing Modes of Indigenous-Settler Performance-Making on Turtle Island
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
An Introduction to the Phenomenology of Performance Art : SELF/s
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Common Salt
Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.
In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.
This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.
Common Salt is designed by John Hunter (aka RULER) and published by LADA.
