Skip to main content

Agit Prop: Performance in Banff

Notes

Catalogue from the first performance series held at The Banff Centre and in Alberta.  9-25 July 1982.

Editor Lorne Falk
Publisher Banff Centre Press
ISBN 9780920159903
Reference P2932
Date 1982
Type Publication

Keywords

Bruce Barber Canada documentation Elizabeth Chitty Germany Marcel Odenbach Marcella Bienvenue Martha Rosler performance art politics Sonia Knox Stuart Brisley Toronto Ulrike Rosenbach Walter Phillips Gallery workers' theatre

Similar items

Burlington Contemporary Journal Issue 8: Drawing
Editor: Michael Hall | Reference: P4231 | ISBN: 2631-5661 | Type: Publication

This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.

Burlington Contemporary drawing Drawing Room Emma McNally Jade de Montserrat Massinissa Selmani performance art Roger Malbert

Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung
Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Azangman dance Deung Woo Lee disability drag drag king feminism gender politics genderqueer Hyunjin Kim installation KIRARA lesbian LGBTQI+ community performance art queer Seo Ji Won siren eun young jung South Korea theatre transgender experience Venice Biennale yeoseong gukgeuk Yii Lee

Elmgreen & Dragset : Inconvenient Truths
Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

art Art Review collaboration duo Elmgreen & Dragset fashion Inconvenient Truths Ingar Dragset installation Marcus Verhagen Michael Elmgreen performance art politics Scandinavian artists sex society visual art

Between Journeys : an Interview with Lee Wen
Artist/Author: Woon Tien Wei | Editor: Claire MacDonald | Reference: A0928 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

body art Departures durational performance interview journey Lee Wen performance art performance research public intervention Singapore Woon Tien Wei

Delaine Le Bas : Secession
Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Delaine Le Bas drawing Francesca Gavin identity installation mythology performance art Roma spirituality Stephen Ellcock

Aesthetic Taiwan
Artist/Author: Catherine Jiang | Editor: Supervisor/Vivenne Gaskin, Tutor/Alix Slater | Reference: P4224 | Type: Publication

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

Aesthetic Taiwan British Live Art Catherine Jiang China Chinese performance art interdisciplinary live art media art performance art Shanghai Shanghai e-Art Festival Taiwan Taiwanese Performance Art technology Tehching Hsieh

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

activism ageing Beth Watton body female body feminism identity live art Lois Weaver older women Peggy Shaw performance art queer queer feminism Retro(per)spective Rocio Bolivier Split Britches Tammy Whynot

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Berlin Theatre communication cultural diversity German Theatre language Multilingualism politics Supertitling theatre Ulrike Garde

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Arabic cultural heritage de-dramatisation imperialism Katia Arfara labour music musical nationalism performance politics religion storytelling translation Wael Shawky

Project Nationalism and Theatre in Contemporary India
Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

activism Ashis Sengupta Contemporary Indian Theatre drama India Indian National Theatre Indian Theatre nation nationalism performance making politics theatre

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

1980s Black female bodies Black performance conceptual art feminism identity Lorraine O'Grady pageant performance performance art political performance Vanessa Damilola Macaulay

Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic
Artist/Author: Clio Unger | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0909 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Clio Unger COVID-19 German Theatre Lagartijas Tiradas al Sol lecture lecture performance Lockdown Lola Arias Pandemic Pedro Penim performance performance art Rabih Mroué Tania Bruguera TED talk Tim Etchells video essay youtube Zhang Menqi zoom

Donation

£