Ain’t no such thing as Superman – William Pope.L
Notes
This catalogue item has no notes associated with it.
Artist / Author | James Trainor |
---|---|
Reference | A0069 |
Date | 1970 |
Journal | Frieze |
Journal date | 2004-05-01 |
Journal page | 60-63 |
Type | Article |
Keywords
Similar items
Wandering: Philosophical Performances of Racial and Sexual Freedom
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
Exhausting Dance: Performance and the Politics of Movement
This book examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US.
Sexuality - Documents of Contemporary Art
This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates.
Live Collision Study Boxes Study Room Guide
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
Clifford Owens: Anthology
Publication to coincide with exhibition, 2011, where Owens commissioned performance scores—written or graphical instructions for actions— from a multigenerational group of African-American artists.
How to See a Work of Art in Total Darkness
Examines the integrative and interdisciplinary strategies of five contemporary artists stressing the ways in which their work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.
Agotar la Danza: Performance y politica del movimiento
Exhausting Dance and the Politics of Performance
Social Works: Performing Art, Supporting Publics
An interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art.
This item is referenced in the Dreams for an Institution Guide (P2313).
Performance Lecture Archive: Klingon Talk
Part of Live Culture Lecture series.
Live Culture Symposium: Performance and the Contemporary
Lecture given by William Pope.L from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Performing Idea: Reciprocal Aesthetics
Performance Matters, Performing Idea – Reciprocal Aesthetics7th October3:00-7:30pmToynbee StudiosWith: Ron Athey, Wafaa Bilal, Maaike Bleeker, Shannon Jackson and Julie Tolentino The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.’ Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared?
The Many Headed Monster: The audience of contemporary performance
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.