American Visions/Visiones de las Americas – Artistic and Cultural Identity in the Western Hemisphere
Notes
Papers from Artistic and cultural identity in Latin America, a conference convened by Arts International in collaboration with Memorial da América Latina, Sept. 23-25, 1991. In both English and Spanish.
| Editor | Noreen Tomassi, Mary Jane Jacob, Ivo Mesquita |
|---|---|
| Publisher | American Council for the Arts Books |
| ISBN | 9781879903142 |
| Reference | P1996 |
| Date | 1994 |
| Type | Publication |
Keywords
Similar items
Sonia Boyce: Reclassifying Classification
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.
Decolonising Environmentalism : Watching The Channel
Article from Consented Issue 9 : Environment
Decolonising Performance Pedagogy - A position paper from Bangalore, South India
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg9-10
At the Dark End of the Street: Black Women, Rape, and Resistance-A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power
In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer–Rosa Parks–to Abbeville. In taking on this case, Parks launched a movement that exposed a ritualized history of sexual assault against Black women and added fire to the growing call for change.
Falling through dance and life
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
The Arts Britain still Ignores?
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Theatre Blogging: the emergence of critical culture
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Migrants Make Culture
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
SIGNUM
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
Organ Player
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
