Araith/Speech and Przemowienie/Speech
Notes
This catalogue item has no notes associated with it.
| Artist / Author | Clare Charnley |
|---|---|
| Reference | D0318 |
| Date | 2005 |
| Type | DVD |
Keywords
Similar items
Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Anne Bean: Self Etc. book launch
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
The Minor Gesture
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
The Universal Machine
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Magical Women Issue 2: Being Two
The second issue of the ADHD artist zine.
Magical Women Issue 1: Being One
The first issue of the ADHD artist zine.
Anne Bean: Self Etc.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
TALKER #1-8
Eight issues of the interview zine about performance.
Inside (Improvised performance)
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
Touched Bodies: The Performative Turn in Latin American Art
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
