BilderBedarf – Braucht Gesellschaft Kunst? /The Civic and the Arts

Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.

Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.

In german and English.

The second volume of the landmark trilogy consent not to be a single being.

Examines fandom as a set of practices for approaching and writing about art.

Drawing together communiques, covert interviews and underground histories of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people. 

Signed copy.

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

On Kollwitz's reception in America, 1900-1960

Liquid damage on publication.

Books, catalogues, flyers and posters by PAErsche Action Lab (2010-)

In the oversize cabinet.

Second edition of the artwork exploring the potential of Live Art to bridge generations.

A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.

Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.

Essays on the concept of total theatre, which emerged from the Bauhaus as a new aesthetic of stage design and presentation.