Skip to main content

Dr Roberts Magic Bus

Notes

This catalogue item has no notes associated with it.

Artist / Author Kate Random
Reference A0142
Date 2006
Journal Total Theatre Magazine
Journal date Winter 2006
Journal page 27
Type Article

Keywords

Similar items

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

Queer Communion: Ron Athey

Editor: Amelia Jones, Andy Campbell | Reference: P4197 | ISBN: 9781789380941 | Type: Publication

Ron Athey is one of the most important, prolific and influential performance artists of the past four decades. Queer Communion, an exploration of Athey’s career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey’s performative practice and each community he engages.

Final Transmission: Performance Art and AIDS in Los Angeles

Editor: Brian Getnick, Tanya Rubbak | Reference: P4196 | ISBN: 9781838022945 | Type: Publication

Final Transmission is a book of intergenerational dialogue between artists, scholars and activists about what it means to transfer the skills, ideas and mysteries of performance through pandemic and crises.

The book is the final edition of NS, Brian Getnick and Tanya Rubbak’s 6 volume archive of performance art and community in Los Angeles.

The Live Art Almanac Vol. 5

Editor: Bojana Janković, Megan Vaughan, Lois Keidan | Reference: P3977 | ISBN: 978-1-9164243-4-0 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.

Part of Library of Performing Rights (P3041).

Gothic Queer Culture

Artist/Author: Laura Westengard | Reference: P4053 | ISBN: 978-1-4962-1702-8 | Type: Publication

Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Part of the Library of Performing Rights (P3041).

Landscapes: John Berger on Art

Artist/Author: John Berger | Editor: Tom Overton | Reference: P3734 | ISBN: 978-1784785857 | Type: Publication

In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.

Between the Body and the Flesh: Performing Sadomasochism

Artist/Author: Lynda Hart | Reference: P3721 | ISBN: 978-0231084031 | Type: Publication

Focusing on a variety of representations, the book stimulates discussions of s/m through the exploration of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race and sexuality, and the politics of psychoanalysis.

Part of the Library of Performing Rights (P3041).

Transformance programme

Artist/Author: Documentation Action Research Collective (DARC) | Reference: P3604 | Type: Publication

Exhibition / project programme. Tempting Failure, 17-21 July 2018.

Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists

Artist/Author: Marla Carlson | Reference: P3594 | ISBN: 978-0230103863 | Type: Publication

Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.

Part of the Library of Performing Rights (P3041)

Donation

£