Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century
Notes
Features the work of 42 solo artists spanning the century-from Beatrice Herford in 1869 to Dawn Akemi Saito in 1994. Each artists’ work is introduced by a journalist, artist, critic, agent, producer or educator who is intimately familiar with the material and its links to other forms such as vaudeville, theatre, cabaret, music, standup comedy, poetry, the visual arts and dance.
Editor | Jo Bonney |
---|---|
Publisher | Theatre Communications Group |
ISBN | 1-55936-155-7 |
Reference | P0285 |
Date | 2000 |
Type | Publication |
Keywords
Similar items
Notes from Isolation: A Logbook of Thoughts and Momentum Conversations in Times of Plagues
Performance making is a mode of enquiring about culture and a strategy to respond to societal emergencies. Collective acts of thought and expression are an existential urgency as they broaden our understanding of who we are. As the world grappled with lockdowns, fear has permeated our very beings. Notes from Isolation embodies an investigative journey wherein Andrea Pagnes —who, with Verena Stenke, forms the artist duo VestAndPage— explores the essence of existence during the COVID-19 pandemic. He then shares his notes in distant encounters with artists, poets and philosophers friends who navigate the non-linear realms: Marilyn Arsem, Lois Keidan, Joseph Morgan Schofield, Franko B, Guillermo Gómez-Peña, Stelarc, Timothy Morton, Anguezomo Mba Bikoro, and eventually Ron Athey revisiting a conversation they had a while ago. At last, performance matters: politics and science to dissect, recurring patterns of suffering and pain to surpass, religion, colonialism, and gender fluidity found a voice within the societal crises that COVID-19 accentuated. Multiple remote visions and divergent creative thinking are pooled to inspect reality while caring for humanity, as to perhaps find a way out.
‘They close the glass door behind me and say I cannot leave this area. They gave me a blue protective mask and said I must wear it whenever I exit the room or someone enters it. The mask I have to wear closes my mouth but not my eyes. The border is a transparent glass door. We can look to the other side but not cross over. I let go a quiet steeping in being. Time makes me the process.’ — Verena Stenke.
Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
SIGNUM
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
TALKER #1-8
Eight issues of the interview zine about performance.
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
The Stage Lives of Animals
Examines what it might mean to make theatre beyond the human.
World-Making: Race, Performance, and the Work of Creativity
Theorizes the racialized structures of inequality that pervade theater and the arts.
Part of The Library of Performing Rights (P3041)
9Questions
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.