Skip to main content

George Chakravarthi Third Sex

Notes

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Artist / Author George Chakravarthi
Publisher Site Gallery
ISBN 1 899926 11 9
Reference P0324
Date 2002
Type Publication

Keywords

art history autobiography history identity memory religion self-portrait UK

Similar items

Sonia Boyce: Reclassifying Classification
Artist/Author: Nizan Shaked | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0934 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.

artist identity black identity British-Caribbean diaspora cultures conceptual art cultural identity drawing family legacy feminism gender politics identity national identity Nizan Shaked Sonia Boyce video visual art

Leaving Berlin : On the Performance of Monumental Change
Artist/Author: Nicolas Whybrow | Editor: Claire MacDonald | Reference: A0929 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Leaving Berlin : On the Performance of Monumental Change

Nicolas Whybrow

pp. 37 – 45

Architechture Berlin Berlin Wall borders Departures graffiti memorial memory Monument Nicolas Whybrow performance research railway industry Train Stations trains travel

Fatimah Asghar
Artist/Author: Fatimah Asghar, Sabba Khan, | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0924 | Type: Article

shado Issue 02: Global Womxnhood

Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.

East London Fatimah Asghar Hannah Robathan identity Isabella Pearce Leyla Hussein London poem poetry Sabba Khan shado South Asian Community

Delaine Le Bas : Secession
Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Delaine Le Bas drawing Francesca Gavin identity installation mythology performance art Roma spirituality Stephen Ellcock

Zong! (Wesleyan Poetry)
Artist/Author: M. NourbeSe Philip | Editor: Setaey Adamu Boateng | Reference: P4223 | ISBN: 978-0819571694 | Type: Publication

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

chant Historical Trauma history language law M. NourbeSe Philip memory mourning oral histories poetic text Poetics poetry Setaey Adamu Boateng slavery song trauma Zong

Sex, Drag, and Male Roles : Investigating Gender as Performance
Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

androgeny androgynous butch Danny King Diane Torr drag drag king empowerment feminine gender identity Male Role masculine masculinity memory performance queer sex Stephen Bottoms workshop

Uninstalling Normality: A Study Room Guide on Madness, Mad Pride & Questioning Normality (2024)
Artist/Author: Dolly Sen | Reference: P4219 | Type: Publication

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

Bobby Baker Dolly Sen double consciousness identity mad pride madness normality psychiatry psychology queer Rebekah Ubuntu sanity the vacuum cleaner Vacuum Cleaner

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

activism ageing Beth Watton body female body feminism identity live art Lois Weaver older women Peggy Shaw performance art queer queer feminism Retro(per)spective Rocio Bolivier Split Britches Tammy Whynot

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Arabic cultural heritage de-dramatisation imperialism Katia Arfara labour music musical nationalism performance politics religion storytelling translation Wael Shawky

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

1980s Black female bodies Black performance conceptual art feminism identity Lorraine O'Grady pageant performance performance art political performance Vanessa Damilola Macaulay

Towards an Eighth Fire Approach : Developing Modes of Indigenous-Settler Performance-Making on Turtle Island
Artist/Author: Melissa Poll | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0908 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

cultural tradition identity Indigenous performance indigenous-settler performance making land Melissa Poll shakespeare theatre Turtle Island

Re Wild(e)ing Queer Performance
Artist/Author: Fintan Walsh | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0906 | Type: Article

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Félix González-Torres Fintan Walsh HIV installation Jean Genet LGBTQ McDermott&McGough Nan Goldin Neil Bartlett Oscar Wilde politics prisons queer Queer Performance religion Steve McQueen worship

Donation

£