Hydrophonics
Notes
Development from a former work ‘Breath’, where the sound of the artist’s own heart beating was amplified through water so that spectators could experience the sight of sound. Since this project, Caroline has experimented by sending different sounds thorough water to experience the different formations on the water surface that each sound makes. Over the past two years she has been involved ina period of research to explore this further, working with musicians in order to compose music which is based on the sight of the composition rather than the sound of it and developing new designs for water tanks and speaker systems. Hydrophonics Live event at the Malt Cross Nottingham UK.
| Artist / Author | Caroline A. Locke |
|---|---|
| Reference | P1309 |
| Date | 1970 |
| Type | Publication |
Keywords
Similar items
LADA Screens: Selina Bonelli artist discussion
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Through the Prism of the Senses
Native Strategies 5: Music Issues – The Privileging and Negation of Bodies of Sound
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Native Strategies 5: Music Issues – The Privileging and Negation of Bodies of Sound
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Stolen Voices album
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Robert Whitman: Performances from the 1960s
Includes original footage of The American Moon (1960) and Flower (1963), a recent performance of Prune Flat (1965), and Ghost, Whitman’s recent theater work, as well as short documentaries about the works.
A Record of Fear
Project publication, documenting the series of temporary audio (and video) installations made for the site of Orford Ness on the Suffolk coast.
Bill Viola: Slowly turning narrative
Exhibition catalogue. Philadelphia Institute of Contemporary Art and Virginia Museum of Fine Arts, 1992.
Ways to Wander the Gallery
25 intriguing ideas for different ways to walk in and beyond an art gallery – for gallery-goers, walkers, performance artists, students and academics.
9Questions
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
Choreographing Problems: Expressive Concepts in Contemporary Dance and Performance
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
Rambert’s Alston
From the special collaborative issue Rambert at the Big Top.
