Skip to main content

Imagine Me To Be There

Notes

An inventive, participatory and humorous performance that playfully challenges the conventions of theatre, watching and our imagination.

Artist / Author Sylvia Rimat
Reference D1614
Date 2010
Type DVD

Keywords

festival IBT In Between Time live writing narration participatory spectatorship storytelling Sylvia Rimat Sylvia Rimet theatre

Similar items

Copy of Oral Histories of the Revolution
Artist/Author: Tania El Khoury | Reference: A0940 | Type: Article

Next Wave Festival 2014 Magazine : New Grand Narrative

Pg. 32

Oral Histories of the Revolution,  Tania El Khoury

 

activism Australia Gardens Speak Melbourne Next Wave Festival oral histories storytelling Syria Syrian Revolution Tania El Khoury

Acts of Affect: siren eun young jung’s Yeoseong Gukgeuk Project
Artist/Author: Ashley Chang | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0936 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg. 59-67

In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.

Ashley Chang drag drag king gender gender fluidity installation lesbian masculinity photography queer siren eun young jung South Korea South Korean Theatre theatre Venice Biennale video yeoseong gukgeuk

Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung
Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Azangman dance Deung Woo Lee disability drag drag king feminism gender politics genderqueer Hyunjin Kim installation KIRARA lesbian LGBTQI+ community performance art queer Seo Ji Won siren eun young jung South Korea theatre transgender experience Venice Biennale yeoseong gukgeuk Yii Lee

Shortlist LIVE! Issue 2
Editor: Heidi Backström | Reference: P4230 | ISBN: 978-1-8380229-2-1 | Type: Publication

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

Amanda Jane Steggell ANTI Contemporary Art Festival Aune Kallinen Brian Fuata Dana Michel festival Finland Geumhyung Jeong Ginevra Bria Heidi Backström Ingrid Fiksdal Kuopio LADA live art Lucreccia Quintanilla Thomas F. DeFrantz WAUHAUS

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives
Artist/Author: Freya Verlander | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0931 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander

This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).

environment fragrance immersive theatre Macbeth perfume Punchdrunk Rebecca Scent sensory Sleep No More Smell theatre

Bobby Baker : Redeeming Features of Daily Life
Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Adrian Heathfield archive Bobby Baker domesticity drawing feminism food gender Griselda Pollock intimacy kitchen life live art Michèle Barrett performance theatre visual culture

REVIEW - On Shared Resources : Performance studies publications from a pandemic
Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Anna Jayne Kimmel COVID-19 dance fieldwork Pandemic performance resources theatre training Training Utopias

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Berlin Theatre communication cultural diversity German Theatre language Multilingualism politics Supertitling theatre Ulrike Garde

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Arabic cultural heritage de-dramatisation imperialism Katia Arfara labour music musical nationalism performance politics religion storytelling translation Wael Shawky

Project Nationalism and Theatre in Contemporary India
Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

activism Ashis Sengupta Contemporary Indian Theatre drama India Indian National Theatre Indian Theatre nation nationalism performance making politics theatre

Book Reviews - Shakespeare's Accents : Voicing Identity in Performance by Sonia Massai
Artist/Author: Elizabeth Moroney | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0910 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

accent drama Elizabeth Moroney English Theatre performance shakespeare Sonia Massai theatre Traditional Theatre voice voice acting

Towards an Eighth Fire Approach : Developing Modes of Indigenous-Settler Performance-Making on Turtle Island
Artist/Author: Melissa Poll | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0908 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

cultural tradition identity Indigenous performance indigenous-settler performance making land Melissa Poll shakespeare theatre Turtle Island

Donation

£