Immersive Theatres: Intimacy and Immediacy in Contemporary Performance

Artist/Author: Ashley Chang | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0936 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg. 59-67

In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.

Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Bojana Janković | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0932 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković

This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.

Artist/Author: Freya Verlander | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0931 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander

This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).

Artist/Author: Idman Abdurahaman | Editor: Hannah Robathan, Erin Cobby, Isabella Pearce | Reference: A0927 | Type: Article

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

Artist/Author: Maddy Winters | Reference: A0923 | Type: Article

Artist/Author: Fossil Free Culture NL | Editor: Mike Pope, Noëlie Audi-Dor, Amit Singh | Reference: A0922 | Type: Article

Article in Consented Issue 9 : Environment

Artist/Author: Ama Josephine Budge | Editor: Mike Pope, Noëlie Audi-Dor, Amit Singh | Reference: A0921 | Type: Article

Article from Consented Issue 9 : Environment

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Artist/Author: Spike Mclarrity | Reference: P4225 | ISBN: ISBN 9781527288232 | Type: Publication

Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.

Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.