Intimate Delights and Dark Disturbances
Notes
Review of Proximity Festival 2014, Fremantle Arts Centre, Fremantle, 22 Oct-2 Nov.
| Artist / Author | Nerida Dickinson |
|---|---|
| Reference | A0621 |
| Date | 2014 |
| Journal | realtime |
| Journal date | Dec-Jan 2014 |
| Journal page | 20 |
| Type | Article |
Keywords
Similar items
Copy of Oral Histories of the Revolution
Next Wave Festival 2014 Magazine : New Grand Narrative
Pg. 32
Oral Histories of the Revolution, Tania El Khoury
Shortlist LIVE! Issue 2
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
André Stitt: Dingo - A treatment towards a new communionism
Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.
Steirischer Herbst Festival Programme 2016
Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.
Buddies in Bad Times Theatre: The Rhubarb Festival
Canada’s longest-running new works festival is a hotbed of experimentation, where artists explore new possibilities in theatre, dance, music, and performance art.
In 2021, Rhubarb proposes an alternative: the creation of a physical performative publication that attempts to capture the energy of Rhubarb and, perhaps, recreate the live performance experience itself.
Over 20 artists respond to the prompt to bring performances to the page, with some projects published in the festival publication itself, and other interventions performed on the book after printing. Contributions range from colouring pages to a fever-dream drag performance; from a meal to music inspired by the turning of a page; and from choreographic scores to unearthed histories, real or imagined.
Edition 791/888
Substanz No 9: Performance Open-Air St.Gallen
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
post/performance/documentation
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Performing Singapore
On the Future of Imagination (FOI) Festival 9, Singapore, September 4–7, 2014.
From Brass Bands to Buskers: Street Music in the UK
Report about the Arts and Humanities Resarch Council funded prject.
The Vorticist Appointments Volume One
All appointment negatives and notes from the first year of the Vorticist project (Oct 2007 – Dec 2008) printed in a cloth bound and embossed book.
Signed and numbered edition of 100 (77/100).
Queer exceptions: Solo performance in neoliberal times
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
