Joining The Dots Platform DVD – I Am Your Worst Nightmare

acoustic acoustics Alan Davidson arbitrary Barrett's Dottled Beauty coast composer data DJ eavesdropping electronic Emma Bennett folk Gayle Brogan improvisation Jan Mertens Kitchen Cynics knowledge production Mariam Rezaei miscellaneous music Ode Aseguinolaza performance Pete Stollery public space sound

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin

Alan Read Alice Barnaby Andrea Brady Carrie Lambert-Beatty Christopher Smith citation Claire Hind compulsion craft dance David Lynch death drive Eirini Kartsaki Emma Bennett endings failure Frankenstein Gareth Farmer Gary Winters gaze gazing Geraldine Monk How to Become a Cupcake intimacy Jacques Derrida Judson Dance Theater Lauren Barri Holstein Linda Kemp linguistics Marina Abramović Mutability oikonomia Oikos performance art performance studies philosophy psychoanalysis Ruth McPhee Sigmund Freud Silvia Battista Slavoj Žižek sociology Stewart Lee Swen Steinhäuser The Artist is Present trauma uncanny Walter Benjamin

Alex Bradley Bristol Coney Emma Bennett festival Fiksdal Holzinger & Riebeek In Between Time Jo Bannon Kim Noble Langgard Nic Green performance Reckless Sleepers Simon Faithfull Sylvia Rimat the vacuum cleaner theatre Tim Etchells Zierle & Carter

Chloe Cooper consent desire discussion feminism feminist porn gender Jenny Moore My Bed performance Phoebe Davies relationships sex sex education sexual identity women

A Double Life All Roads Lead to Rome Amy Sharrocks Antartica Calling Tree Caroline Wright Chris Dobrowolski Curious documentation Dominoes environment Gary Stevens Graeme Miller Helen Paris live art Melt Down Museum of Water Out of Water Phoebe Davies producing Rosemary Lee Roswitha Chesher Sarah Woods Simon Whitehead Stacy Makishi Station House Opera sustainability The Assembly of Animals The Roadless Trip Tim Spooner touring Unlimited Vesper Time Zarina Bhimji

Anne Teresa De Keersmaeker Ant Hampton Austria Christian Fennesz Christian Hanussek copy & waste dance Daniel Kötter Daniel Wetzel Die Rabtaldirndln documentation Encyclopédie de la parole festival Fourdummies Friðgeir Einarsson Grupo Marea Helgard Haug Joachim Hainzl Jochen Becker Johannes Maria Staud Jorge E. López Joris Lacoste Josef Winkle Kriðpleir Theatre Group Márcio Carvalho Mariano Pensotti metroZones Mette Ingvartsen Nature Theater of Oklahoma Nesterval performance Phoebe Davies Rimini Protokoll Rotozaza Silvia Mercuriali The Loose Collective Theater im Bahnhof theatre Tom Struyf

Aaron Williamson Bobby Baker Candoco Dance Company Catherine Long disability Disabled Avant-Garde Extant Kim Noble live art Live Art Development Agency Maria Oshodi MartinO'Brien Mat Fraser Noemi Lakmaier performance sean burn Sheree Rose

Alex Eisenberg artist's book Augusto Corrieri Bill Aitchison Company Chloé Déchery criticism documentation Haranczak/Navarre Performance Projects John Pinder Joseph Mercier Lisa Jeschke Lucy Beynon Mary Paterson Mischa Twitchin Penny Francis Present Attempt Rachel Lois Clapham Rachel Mars research Rich Mix Rosie Kelly Seke Chimutengwende SHOW TiME text theory Yoko Ishiguro

Aaron Williamson Adrian Heathfield Adrian Howells Amy Lamé Anne Bean Augusto Corrieri Bavand Behpoor Bean Ben Walters Benjamin Sebastian Bettina Knaup Bird La Bird Bojana Kunst Boyan Manchev Bruce Benderson Cabula 6 Carmelita Tropicana City of Women Common Culture David Hoyle Dickie Beau Disabled Avant-Garde Dominic Johnson Duckie Figs in Wigs Franco Berardi Fred Moten Gavin Butt Giulia Palladini Hannah Hurtzig Harold Offeh Heike Roms Ingo Cando Inti Guerrero Janez Janša Janine Antoni Jennifer Doyle Joe E. Jeffreys Joe Kelleher Jonathan Burrows Jonny Woo Julie Tolentino Katherine Araniello Keith Khan La Congelada de Uva Lara Shalson Lauren Berlant Liberate Tate Lisa Blackman Lois Keidan Lois Weaver Maaike Bleeker Marc Siegel Marcia Farquhar Matthew Goulish Mel Brimfield Miss Annabel Sings Nando Messias Neil Bartlett Nigel & Louise Ong Keng Sen Oreet Ashery Owen Parry Peggy Phelan Performing Idea Platform Rabih Mroué Robin Deacon Rocio Boliver Ron Athey Rose English Scottee Shannon Jackson Shunt Silvia Bottiroli Simon Casson Stuart Comer Sue Hart Tania Bruguera Tavia Nyong'o Tellervo Kalleinen Tim Etchells Trashing Performance Vaginal Davis Wafaa Bilal

directness festival Kim Noble Live Art Development Agency Me and the Machine Stacy Makishi unexpectedness

Augusto Corrieri Martin Hargreaves Oriana Fox Owen Parry Penny Arcade R. Justin Hunt The Famous Lauren Barri Holstein Tom Shaw Trashing Performance