Kiborg 1-3 (calendars)
Notes
Series of 3 calendars: It can only be attributable to human error, A Different Space For A Different Body and …under my skin.
Shelved in Oversize publications section.
Publisher | Kapelica Gallery |
---|---|
Reference | P0232 |
Date | 2000 |
Type | Publication |
Keywords
Similar items
Criticism : In Search of Its Placing
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Education : On the Necessity of Necessity or How to Get Across the Wall Alive
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
An Introduction to the Phenomenology of Performance Art : SELF/s
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Art as We Don’t Know It
Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
Sibylle Omlin: Smoky Pokership- Perform the Exhibition Space
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Artists On: LADA
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Kira O’Reilly: Untitled (Bodies)
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Landscapes: John Berger on Art
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Blood Counts
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocío Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)