Nerve 9
Notes
This catalogue item has no notes associated with it.
| Artist / Author | Tess de Quincey |
|---|---|
| Reference | V0460 |
| Date | 1970 |
| Type | Video |
Keywords
Similar items
Copy of Oral Histories of the Revolution
Next Wave Festival 2014 Magazine : New Grand Narrative
Pg. 32
Oral Histories of the Revolution, Tania El Khoury
Criticism : In Search of Its Placing
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Education : On the Necessity of Necessity or How to Get Across the Wall Alive
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg.49-57
Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.
André Stitt: Dingo - A treatment towards a new communionism
Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.
Review : All Over the Map
Performance Research Vol 6. No. 1. Spring 2001
Departures
The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.
Reviews : All Over the Map
A Review of ‘A Woman Who…Essays, Interviews, Scripts’ Yvonne Rainer
by Claire MacDonald
pp. 121 – 123
Exercises For Solidarity As Performance Art
This article presents the research and performance practice behind ‘The Performing Solidarity Project’.
REVIEW - On Shared Resources : Performance studies publications from a pandemic
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg173-174
Decolonising Performance Pedagogy - A position paper from Bangalore, South India
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg9-10
"DRESS UP AND WE LOVE YOU" AN AUTOETHNOGRAPHIC EXPLORATION OF QUEER PERFORMANCE CLUB BAR WOTEVER
DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19
Bodies of Knowledge : Three Conversations on Movement, Communication and Identity
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
Foreign Maids and Beauty Queens: Filipina labour and amateur performance in Hong Kong
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
