Not Even a Game Anymore – The Theatre of Forced Entertainment
Notes
Articles by: Patricia Benecke, Tim Etchells, Matthew Goulish, Adrian Heathfield, Judith Helmer, Hans-Thies Lehmann, Florian Malzacher, Annemarie Matzke, Andrew Quick, Anke Schleper, Gerald Siegmund, Astrid Sommer. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
| Artist / Author | Forced Entertainment |
|---|---|
| Editor | Judith Helmer / Florian Malzacher |
| Publisher | Alexander Verlag Berlin |
| ISBN | 3-89581-115-7 |
| Reference | P0481 |
| Date | 2004 |
| Type | Publication |
Keywords
Similar items
Bobby Baker : Redeeming Features of Daily Life
This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.
Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
Moving-Writing
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
A Way / Away
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
Pop Goes Live Art – Icons on Icons documentation
Documentation of the event organised as part of LADA’s 20 anniversary celebrations across 2019: some of LADA’s icons present their own pop culture icons.
Pleading in the Blood: The Art and Performances of Ron Athey
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
The Live Art Almanac Vol. 5
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
An Interview with Hancock and Kelly
An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.
Imaginative Bodies: Dialogues in Performance Practices
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Christoph Schlingensief: Art without Borders
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
Barbary Lion
A short animation about the regionally extinct lion.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia
Captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s.
