Postmodern wreckage in Kate McIntosh’s Worktable and Peter McMaster’s Gold Pie
Notes
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Artist / Author | Zelda Hannay |
---|---|
Publisher | Taylor & Francis |
Reference | A0886 |
Date | 2019 |
Journal | Performance Research |
Journal date | Volume 24, Issue 5 |
Journal page | 105-113 |
Journal name | 2019 |
Type | Article |