Skip to main content

Refugee Camp for the First World Citizens

Notes

A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.

Part of the Library of Performing Rights (LPR) (P3041).

Artist / Author FWC
Reference D2278
Date 2004
Type DVD

Keywords

Similar items

Copy of Oral Histories of the Revolution

Artist/Author: Tania El Khoury | Reference: A0940 | Type: Article

Next Wave Festival 2014 Magazine : New Grand Narrative

Pg. 32

Oral Histories of the Revolution,  Tania El Khoury

 

Criticism : In Search of Its Placing

Artist/Author: Alja Lobnik, Simon Kardum, Jasmina Založnik, Pia Brezavšček | Editor: Andrea Kopač, Alja Lobnik | Reference: A0938 | ISBN: 1318-0509 | Type: Article

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

Education : On the Necessity of Necessity or How to Get Across the Wall Alive

Artist/Author: Nina Meško, Janez Janša, Nataša Tovirac, Maja Delak | Editor: Andrea Kopač | Reference: A0937 | ISBN: 1318-0509 | Type: Article

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

Sonia Boyce: Reclassifying Classification

Artist/Author: Nizan Shaked | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0934 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.

Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Taking Receipts: A Log of Aggression for People of Color

Artist/Author: Aram Han Sifuentes, Ishita Dharap | Reference: P4227 | Type: Publication

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement

Artist/Author: Idman Abdurahaman | Editor: Hannah Robathan, Erin Cobby, Isabella Pearce | Reference: A0927 | Type: Article

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

Tolu Agbelusi

Artist/Author: Tolu Agbelusi | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0926 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

Oluwaseun Babalola

Artist/Author: Oluwaseun Babalola, Greg Kirkorian | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0925 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on filmmaker Oluwaseun Babalola.

Zong! (Wesleyan Poetry)

Artist/Author: M. NourbeSe Philip | Editor: Setaey Adamu Boateng | Reference: P4223 | ISBN: 978-0819571694 | Type: Publication

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

Exercises For Solidarity As Performance Art

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Donation

£