Shattered Anatomies: Traces of the Body in Performance
Notes
A limited edition box containing artefacts, documents and critical theory from an international field of performance artists, theatre makers and writers. Shelved in Oversize publications section. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Editor | Adrian Heathfield with Fiona Templeton and Andrew Quick |
---|---|
Publisher | Arnolfini Live |
Reference | P0199 |
Date | 1997 |
Type | Publication |
Keywords
Similar items
Bobby Baker : Redeeming Features of Daily Life
This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.
Uninstalling Normality: A Study Room Guide on Madness, Mad Pride & Questioning Normality (2024)
A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health
Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
Moving-Writing
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
Paper leaves and other constructions
Paper leaves and other constructions
a reading companion to Always Already
compiled and edited by Karen Christopher & Tara Fatehi Irani
Always Already is an 8-hour performance installation by Karen Christopher & Tara Fatehi Irani, which uses materials, text, sound and movement to explore the weaving together of plant, human and machine, including human/plant and human/machine hybrids.
Paper leaves and other constructions is a 32-page booklet, introducing the themes and content of the project, and responding to many of the questions that arose in the creative process. Drawing parallels between a path through life and one through the making of a particular work of performance, the booklet answers the question “how did you do that?”
The booklet includes contributions from Karen, Tara, Payman Kassaei (Professor of Mathematics, Kings College), Felipe Ribeiro (performance artist and researcher), Omikemi (poet), Eirini Kartsaki (performance writer and teacher), and an interview with Henry Dagg (sound sculptor and builder of experimental musical instruments).
Performance in an Age of Precarity
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
A Way / Away
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
LADA Presents: Neil Bartlett and Nancy Reilly in conversation
Documentation of the event marking World AIDS Day. Included a screening of Ron Vawter’s performance at the ICA in 1993 as part of LIFT and a conversation between Neil Bartlett and Nancy Reilly.
Pop Goes Live Art – Icons on Icons documentation
Documentation of the event organised as part of LADA’s 20 anniversary celebrations across 2019: some of LADA’s icons present their own pop culture icons.
Black Market International
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Artists On: Disability
Videos by artists exploring Live Art and disability. Including videos commissioned for LADA’s “Access All Areas: Live Art and Disability” programme in New York, 2014.
Cruising the Dead River: David Wojnarowicz and New York's Ruined Waterfront
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).