Site and Subject
Notes
This catalogue item has no notes associated with it.
| Artist / Author | Dorothy Max Prior |
|---|---|
| Reference | A0112 |
| Date | 2005 |
| Journal | On Tour |
| Journal date | Summer 2005 |
| Type | Article |
Keywords
Similar items
Fauxthentication: Art Academia and Authorship (or the site-specifics of the Academic Artist)
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
Foreign Maids and Beauty Queens: Filipina labour and amateur performance in Hong Kong
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
Devising Theatre & Performance: Curious Methods
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
Responding to Site: The Performance Work of Marilyn Arsem
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
LADA Screens: Selina Bonelli artist discussion
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
sin∞fin Trilogy
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
(re)collecting (f)ears
Documents a series of site-specific performances which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Joshua Sofaer: Performance | Objects | Participation
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
(re)collecting (f)ears
Documents a series of site-specific performances by bonelli, which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Reza Abdoh Collection
Includes:
1 A Medea: Requiem for a Boy, 1986 (2 files)
2 Rusty Sat on a Hill One Dawn …,1987 (2 files)
3 Eva Peron, 1987
4 King Oedipus, 1987
5 Peep Show (videos used in performances), 1988 (2 files)
6 Minamata,1989 (2 files)
7 Pasos en la Obscuridad, 1990
8 The Hip-Hop Waltz of Eurydice, 1990
9 Bogeyman, 1991
10 Train Project (un-edited video project @ L.A.T.C.), 1991
11 The Blind Owl and Making of…, 1991
12 The Law of Remains, 1992
13 Simon Boccanegra, 1992 (2 files)
14 Tight Right White, 1993
15 Quotations from a Ruined City, 1994 (2 files)
16 Memorial Service, LA and NY, 1995 (2 files)
17 Mixed Images and Projects
18 Reza Abdoh, Short Video Works
19 Interview Tapes
20 Show Tapes (videos used in performances)
21 Cast Reference Video
Reza Abdoh, Theatre Visionary
An intimate portrait of the world and work of Abdoh and his company.
Sign of the Times
Made and published on the occasion of Artsadmin's 40th birthday.
