Speaker’s Corner cards

This e-journal edition from performingborders gathers artists and practitioners exploring how their work crosses borders—territorial, cultural, political, and personal. Rooted in connection, resistance, and shared struggles, these contributions reimagine collaboration and solidarity across time and space. With a foreword by their long-time collaborator Diana Damian Martin, this collection is a tapestry of methodologies and practices grounded in survival and creative resistance.

Performance making is a mode of enquiring about culture and a strategy to respond to societal emergencies. Collective acts of thought and expression are an existential urgency as they broaden our understanding of who we are. As the world grappled with lockdowns, fear has permeated our very beings. Notes from Isolation embodies an investigative journey wherein Andrea Pagnes —who, with Verena Stenke, forms the artist duo VestAndPage— explores the essence of existence during the COVID-19 pandemic. He then shares his notes in distant encounters with artists, poets and philosophers friends who navigate the non-linear realms: Marilyn Arsem, Lois Keidan, Joseph Morgan Schofield, Franko B, Guillermo Gómez-Peña, Stelarc, Timothy Morton, Anguezomo Mba Bikoro, and eventually Ron Athey revisiting a conversation they had a while ago. At last, performance matters: politics and science to dissect, recurring patterns of suffering and pain to surpass, religion, colonialism, and gender fluidity found a voice within the societal crises that COVID-19 accentuated. Multiple remote visions and divergent creative thinking are pooled to inspect reality while caring for humanity, as to perhaps find a way out.

‘They close the glass door behind me and say I cannot leave this area. They gave me a blue protective mask and said I must wear it whenever I exit the room or someone enters it. The mask I have to wear closes my mouth but not my eyes. The border is a transparent glass door. We can look to the other side but not cross over. I let go a quiet steeping in being. Time makes me the process.’ — Verena Stenke.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg. 59-67

In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Contemporary Theatre Review Volume 31 Issue Number 3 August 2021

Reader for the lecture series from January to June 1996.

Edited by  Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.

Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

Mishandled Archive offers a way of imagining, creating and disseminating an archive.