Sudden as a Massacre
Notes
A site-specific installation, video, and performance-based project for TBA:11. In a private performance for the camera, a quintet of women tear apart an enormous cube comprising more than5,050 pounds of wet clay. As the block disappears, the space becomes covered in the evidence of action.
Clips; 1:48
Artist / Author | Kate Gilmore |
---|---|
Digital Ref | EF5213 |
Date | 2011 |
Type | Digital File |
Keywords
Similar items
Acts of Affect: siren eun young jung’s Yeoseong Gukgeuk Project
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg. 59-67
In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.
Essential Work : Eastern European Immigrants and Models of Participation
Contemporary Theatre Review, Volume 33, Issue 3 (2023)
Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković
This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.
Towards Environmental Salvation : Climate, Capitalism and Gender
Bobby Baker : Redeeming Features of Daily Life
This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.
Sex, Drag, and Male Roles : Investigating Gender as Performance
This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.
Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Conservative Experiments : Women's Rewritings of The Imperial Stele Pavillion in the Twenty-First Century
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
An Introduction to the Phenomenology of Performance Art : SELF/s
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Bodies of Knowledge : Three Conversations on Movement, Communication and Identity
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
Strategies of Success : Curator Series 2002-2003
Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić
Fauxthentication: Art Academia and Authorship (or the site-specifics of the Academic Artist)
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
Queer Fiesta: Hybridity, drag and performance in Bolivian folklore
On hybridity, drag and performance in Bolivian folklore
Performance Research pg 98-106, On Hybridity Volume 25, No 4, June 2020.