Skip to main content

The Body in Pain: The Making and Unmaking of the World

Notes

Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering.

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).
 

Artist / Author Elaine Scarry
Publisher Oxford University Press
ISBN 978-0195049961
Reference P0344
Date 1985
Type Publication

Keywords

Similar items

Criticism : In Search of Its Placing

Artist/Author: Alja Lobnik, Simon Kardum, Jasmina Založnik, Pia Brezavšček | Editor: Andrea Kopač, Alja Lobnik | Reference: A0938 | ISBN: 1318-0509 | Type: Article

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

Taking Receipts: A Log of Aggression for People of Color

Artist/Author: Aram Han Sifuentes, Ishita Dharap | Reference: P4227 | Type: Publication

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

Zong! (Wesleyan Poetry)

Artist/Author: M. NourbeSe Philip | Editor: Setaey Adamu Boateng | Reference: P4223 | ISBN: 978-0819571694 | Type: Publication

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

Exercises For Solidarity As Performance Art

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Stop. Rewind. Replay. - Performance, police training and mental health crisis response

Artist/Author: Natalie Alvarez | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A918 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg69-75

 

Decolonising Performance Pedagogy - A position paper from Bangalore, South India

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Book Reviews - Shakespeare's Accents : Voicing Identity in Performance by Sonia Massai

Artist/Author: Elizabeth Moroney | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0910 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

The Island Nation

Artist/Author: Christine Bacon | Reference: P4208 | ISBN: 978-1786820662 | Type: Publication

Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.

Bodies of Knowledge : Three Conversations on Movement, Communication and Identity

Artist/Author: Adesola Akinleye, Isaac Briggs, Jennifer Cooke, Laurie Crow, Thomas Dawkins (aka Cara Noir), Tara Fatehi Irani, Julia Giese, Martin Hargreaves, Claire Heafford, Joe Moran, Laura Purseglove, Kesha Raithatha, Raju Rage, Nat Thorne, Claire Warden, Sam West and Sam Williams. | Editor: Laura Purseglove | Reference: p4205 | ISBN: 978-1-8380229-0-7 | Type: Publication

Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.

Donation

£