Skip to main content

The global politics of the stage

Notes

Review of LIFT 2014.

Artist / Author Theron Schmidt
Editor Keith Gallasch, Virginia Baxter
Reference A0694
Date 2014
Journal RealTime
Journal date Aug-Sept 2014
Type Article

Keywords

Similar items

Fatimah Asghar

Artist/Author: Fatimah Asghar, Sabba Khan, | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0924 | Type: Article

shado Issue 02: Global Womxnhood

Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.

Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic

Artist/Author: Clio Unger | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0909 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Laindon 2: The Unauthorised Novelisation

Artist/Author: Maz Murray | Reference: P4100 | Type: Publication

Part 2 of a serialised story.

Louche #1: Beginnings and Becomings

Editor: Georgeous Michael | Reference: P4075 | Type: Publication

Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.

Unicorn: The Memoir of a Muslim Drag Queen

Artist/Author: Amrou Al-Kadhi | Reference: P4058 | ISBN: 978-0008306069 | Type: Publication

From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.

Part of the Library of Performing Rights (P3041).

By Means of the Future

Artist/Author: Tim Etchells | Reference: A0882 | Type: Article

On Forced Entertainment, prediction, and the community of audience.

Live art: Definition and documentation

Artist/Author: Nick Kaye | Reference: A0877 | Type: Article

Considers the inter‐disciplinarity of ‘Live Art’ as a field of work and as a performance practice.

From the British Live Art: Essays and Documentation issue.

The Twenty-First Century Performance Reader

Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Black Performance Theory

Editor: Thomas F. DeFrantz and Anita Gonzalez | Reference: P4026 | ISBN: 978-0-8223-5616-5 | Type: Publication

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

Performing Identities: Performative Practices in Post-Handover Hong Kong Art & Activism

Artist/Author: wen yau | Reference: P4041 | Type: Publication

Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).

Part of the Library of Performing Rights (P3041)

Real and very fictional worlds

Artist/Author: Andrea Phillips | Reference: A0854 | Type: Article

On dance and new performance work.

In misc folder 7.

Donation

£