The Last Silent Movie
Notes
Hiller orchestrates voices of the last speakers of extinct or endangered languages.
This item is part of the Study Room Guide to Remoteness (P2600).
| Artist / Author | Susan Hiller |
|---|---|
| Publisher | Matt's Gallery |
| ISBN | 978-0-907623-60-1 |
| Reference | P1335 |
| Date | 2008 |
| Type | Publication |
Keywords
Similar items
#3 entangled practices: Embodying cross-border live art
This e-journal edition from performingborders gathers artists and practitioners exploring how their work crosses borders—territorial, cultural, political, and personal. Rooted in connection, resistance, and shared struggles, these contributions reimagine collaboration and solidarity across time and space. With a foreword by their long-time collaborator Diana Damian Martin, this collection is a tapestry of methodologies and practices grounded in survival and creative resistance.
Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Anne Bean: Self Etc. book launch
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
The Minor Gesture
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
The Universal Machine
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Magical Women Issue 2: Being Two
The second issue of the ADHD artist zine.
Magical Women Issue 1: Being One
The first issue of the ADHD artist zine.
Anne Bean: Self Etc.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
TALKER #1-8
Eight issues of the interview zine about performance.
Imaginative Bodies: Dialogues in Performance Practices
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Making Difference: Mapping the Discursive Terrain of Multiculturalism
A critical examination of the varieties of multiculturalism and the way they structure difference.
