Skip to main content

The Restaged Histories Project

Notes

Includes interview with the directors. Filmed and edited by Flipbook Gallery.

Artist / Author The Restaged Histories Project
Reference D0988
Date 1970
Type DVD

Keywords

Australia Brisbane Kieran Swann music Nic Dorward performance Vaudaville

Similar items

Copy of Oral Histories of the Revolution
Artist/Author: Tania El Khoury | Reference: A0940 | Type: Article

Next Wave Festival 2014 Magazine : New Grand Narrative

Pg. 32

Oral Histories of the Revolution,  Tania El Khoury

 

activism Australia Gardens Speak Melbourne Next Wave Festival oral histories storytelling Syria Syrian Revolution Tania El Khoury

André Stitt: Dingo - A treatment towards a new communionism
Artist/Author: André Stitt | Editor: Blair French | Reference: P4228 | ISBN: 978 1 920781 36 1 | Type: Publication

Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.

akshun André Stitt Artspace Australia Dingo Joseph Beuys live art relational aesthetics Sydney

Tolu Agbelusi
Artist/Author: Tolu Agbelusi | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0926 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

activism black identity black women education performance poetry strength Strongwoman women

White Rabbit: Celebrating ten years of Barnes' White Rabbit
Artist/Author: Spike Mclarrity | Reference: P4225 | ISBN: ISBN 9781527288232 | Type: Publication

Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.

Barnes character community life performance public performance Spike Mclarrity White Rabbit

Bobby Baker : Redeeming Features of Daily Life
Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Adrian Heathfield archive Bobby Baker domesticity drawing feminism food gender Griselda Pollock intimacy kitchen life live art Michèle Barrett performance theatre visual culture

Sex, Drag, and Male Roles : Investigating Gender as Performance
Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

androgeny androgynous butch Danny King Diane Torr drag drag king empowerment feminine gender identity Male Role masculine masculinity memory performance queer sex Stephen Bottoms workshop

Exercises For Solidarity As Performance Art
Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

activism artistic research care dance empathy human interaction human rights intimacy performance rescue solidarity somatic experience Tomaž Simatović

REVIEW - On Shared Resources : Performance studies publications from a pandemic
Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Anna Jayne Kimmel COVID-19 dance fieldwork Pandemic performance resources theatre training Training Utopias

Stop. Rewind. Replay. - Performance, police training and mental health crisis response
Artist/Author: Natalie Alvarez | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A918 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg69-75

 

Agusto Boal ethics forum theatre law mental health Natalie Alvarez performance police training Theatre of the Oppressed training Training Utopias

Decolonising Performance Pedagogy - A position paper from Bangalore, South India
Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

body collaboration cultural identity dance Dance Training decolonial pedagogy decolonising the curriculum Indian dance Indian Heritage Indian Theatre music nationalism Shabari Rao space

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Arabic cultural heritage de-dramatisation imperialism Katia Arfara labour music musical nationalism performance politics religion storytelling translation Wael Shawky

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

1980s Black female bodies Black performance conceptual art feminism identity Lorraine O'Grady pageant performance performance art political performance Vanessa Damilola Macaulay

Donation

£